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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Your Smith © Samantha Marquart
Features, Interviews, MusicAugust 6, 2019<September 19, 2019

Interview: Reveling with Your Smith’s “In Between Plans” Euphoria

Wild Rivers © Justin Broadbent
Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Wild Rivers Reckon with Heartache in Dynamic “I Do”

FERGUS © Cara Kealy
Features, Music, PremieresAugust 6, 2019<August 6, 2019

EP Premiere: The Intimacy & Immediacy of FERGUS’ Pained ‘Three of Swords’

Field Mouse © Katie Krulock
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son”

Time For T © Anna Becerra
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot”

whywhywhy - MisterWives
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019

MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning

Atwood Magazine Editor's Picks 2019 July 29
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023

Editor’s Picks: July 29, 2019

So Sensitive © Ashlyn Hubenak, edited by Cam Perkins
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019

Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’

Carriers © Michael Wilson
Music, PremieresJuly 31, 2019<July 31, 2019

Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People”

Trenton © Ry Cox
Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty

Stella Emmett © Joseph Charles Viola
Debut, Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U”

FENCES © Christian Sorenson Hansen
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019

Premiere: FENCES’ Stirring American Western “Same Blues”

Bastille
Features, Interviews, MusicJuly 26, 2019<September 19, 2019

The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille

Relick 2019 1
Features, Interviews, MusicJuly 26, 2019<July 26, 2019

Premiere: Relick Inject Light & Raw Energy into New Song “Powder Pink”

Lauran Hibberd © Nathan Russell
Features, Interviews, Music, ReviewsJuly 25, 2019<July 26, 2019

Interview: Lauran Hibberd Lets Loose on “Frankie’s Girlfriend” with Raw Indie Rock Zeal

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Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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