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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

When I Grow Up - Confetti © Ricci Ferigo
Music, Music Videos, PremieresMay 8, 2018<October 29, 2020

Video Premiere: Adulting Anxieties in Confetti’s “When I Grow Up”

Soft Streak © 2018
Debut, Music, PremieresMay 8, 2018<May 8, 2018

Premiere: Soft Streak “Ride” Hard in Alluring Debut Single

Lottery - Jade Bird
Columns, Music, Reviews, Today's SongMay 7, 2018<June 1, 2018

Today’s Song: Jade Bird’s Winning “Lottery” Hits Home with Raw Passion

Jane Holiday © Haley Appell
Debut, Music, PremieresMay 7, 2018<May 7, 2018

Premiere: Chasing Euphoria in Jane Holiday’s Irresistible Debut “Ballad of Maxine”

De Joie © David O’Donohue
Music, PremieresMay 7, 2018<May 7, 2018

Premiere: Light Breaks Free in De Joie’s Radiant “All Around Me”

Atwood Magazine's Weekly Roundup 05-04-2018
Columns, Features, Music, Playlists, Weekly RoundupMay 4, 2018<June 1, 2018

Atwood Magazine’s Weekly Roundup: May 4, 2018

Swan Levitt © 2018
Columns, Music, Reviews, Today's SongMay 4, 2018<May 4, 2018

Today’s Song: The Weight of Loss in Swan Levitt’s Breathtaking “Alive”

The Constant Education of Christopher Lambert - Chris Lambert
Features, Music, Premieres, ReviewsMay 3, 2018<May 3, 2018

Album Premiere: Chris Lambert’s ‘The Constant Education of Christopher Lambert’

Lily Kershaw © Diana Mantis
Music, PremieresMay 3, 2018<May 3, 2018

Premiere: Lily Kershaw Glows with Reflective “Moonlight”

Tim Chadwick © Alison Waters
Music, PremieresMay 3, 2018<May 3, 2018

Premiere: Tim Chadwick Opens Up and Lets Love in on “Weakness”

Yellow Shoots © Joe Chernus
Music, PremieresMay 3, 2018<May 2, 2018

Premiere: Indulgent Infatuation in Yellow Shoots’ Entrancing “Desert Rose”

Rayvin Moon © @dreadthephotographer
Debut, Music, PremieresMay 3, 2018<May 2, 2018

Premiere: “Lazy Sad Jesus,” Rayvin Moon’s Provocative Call to Action

Mt. Joy - Mt. Joy artwork
Debut, Features, Interviews, MusicMay 2, 2018<June 1, 2018

Coming of Age & Keeping It Real: A Conversation with Mt. Joy

The Sea The Sea © Chattman Photography
Music, PremieresMay 2, 2018<May 2, 2018

Premiere: Growing Toward Light in The Sea The Sea’s Dazzling “Phototropic”

Skogebrandt © Mikael Hagström
Debut, Music, PremieresMay 1, 2018<May 1, 2018

Premiere: Follow Your Dreams with Skogebrandt’s Inspiring Debut “Been You”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
    • Nostalgia Tracks
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