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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Future Generations © Erez Avissar
Interviews, Music, ReviewsNovember 20, 2018<November 21, 2018

Interview: Future Generations Dive into Their Fun, Sizzlin’ “Landscape”

ASL 2 Cabin - Age.Sex.Location
Music, ReviewsNovember 16, 2018<November 16, 2018

EP Review: Age.Sex.Location Immerse & Enthrall with ‘ASL 2 Cabin’

Hailey Knox © Shervin Lainez
Features, Interviews, Music, PremieresNovember 15, 2018<February 12, 2019

Feature: The Beautiful Vulnerability of Hailey Knox’s “Hardwired”

Sharaya Summer © 2018
Debut, Music, Premieres, ReviewsNovember 14, 2018<February 20, 2019

EP Premiere: Sharaya Summers’ Rich, Raw, and Dreamy Debut ‘Bend Before We Break’

The Western Den © Jordan Rich
Music, PremieresNovember 14, 2018<November 14, 2018

Premiere: The Western Den’s Haunting “Hem” Contemplates Place and Purpose

Windows Down & Dying - TONKS
Debut, Interviews, Music, PremieresNovember 13, 2018<November 13, 2018

Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’

Deanna Petcoff © 2018
Features, Interviews, Music, This Just InNovember 9, 2018<October 16, 2024

This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress”

The Family - Timber album art
Debut, Features, Music, PremieresNovember 8, 2018<November 8, 2018

Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure

RKCB © Alex Stoddard
Music, PremieresNovember 7, 2018<November 8, 2018

Premiere: Falling Hard for RKCB’s Sexistential Lament “Know Love”

Gabriella Rose © Chris Molitor
Music, PremieresNovember 6, 2018<November 6, 2018

Premiere: The Raw, Tender Beauty of Gabriella Rose’s Debut “Lost in Translation”

Henry Jamison © Patrick McCormack
Features, Interviews, Music, ReviewsOctober 31, 2018<November 9, 2018

Interview: Henry Jamison’s Inspiring & Transcendent “Gloria”

vverevvolf © Ashlynn Danielsen
Music, Music Videos, PremieresOctober 31, 2018<October 30, 2018

Premiere: Indulge in vverevvolf’s Energetic, Addictive “Sugar & Spice”

DYLN © Shervin Lainez
Debut, Features, Music, Premieres, ReviewsOctober 30, 2018<October 30, 2018

EP Premiere: DYLN’s Darkness Shines in Stunning Debut ‘Chapter 1: The Truth’

Timber © Wes Frazier
Music, PremieresOctober 29, 2018<October 29, 2018

Premiere: The Reflective Allure of Timber’s “Shuttlecock”

Jake Fields © 2018
Music, PremieresOctober 25, 2018<October 25, 2018

Premiere: The Exciting Rush of Jake Fields’ “The Other Side of Waiting”

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Recent Posts

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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
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  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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