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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Royal Teeth © Jakob Wandel
Features, Interviews, Music, ReviewsSeptember 5, 2018<October 10, 2018

Royal Teeth Are Never Gonna Quit: An Interview about Perseverance & Change

TREY © 2018
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Ambience & Acceptance in TREY’s Intimate “Outofline”

Salim Nourallah © Casey Pinckard
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Salim Nourallah’s Hopelessly Romantic “Rainbow Dolphins”

Pink Skies © Shabnam Ferdowsi
Music, Music Videos, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Social Media, Addiction, and Zombies in Pink Skies’ “Just to Get By”

Coyote Choir - Sing!
Debut, Music, Music Videos, PremieresAugust 31, 2018<August 31, 2018

Premiere: Come on and “Sing!” with Coyote Choir’s Inspiring Debut Single

Neurons - Ecstatic Union album art
Features, Music, PremieresAugust 30, 2018<August 30, 2018

Album Premiere: Connecting with the Euphoric, Sensual Energy of Ecstatic Union’s ‘Neurons’

Blue Light - Mr. Carnivore
Debut, Features, Music, PremieresAugust 30, 2018<September 13, 2018

Album Premiere: The Raw Meat of Mr. Carnivore’s Passionate Debut ‘Blue Light’

Humble Braggers © 2018
Music, PremieresAugust 30, 2018<August 30, 2018

Premiere: Humble Braggers’ Decadent Dance-Pop Song “Am I Okay”

Jennifer Denali © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: Sultry Soul and Suffering in Jennifer Denali’s Passionate Debut “Painkiller”

This Is a Journal - H. Kenneth
Debut, Features, Music, PremieresAugust 29, 2018<August 29, 2018

Album Premiere: A Taste of Life in H. Kenneth’s Vibrant Debut ‘This Is a Journal’

Tinx © Emma Viola Lilja
Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: Tinx’s Sultry & Aching “Gimme” Is Pure Pop Seduction

Con Davison © Rob Hull
Music, PremieresAugust 29, 2018<August 28, 2018

Premiere: Con Davison’s Invigorating “Talk” Is a Breath of Fresh Air

Upstairs Open © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: The Tragic Cry of Upstairs Open’s Feelgood “Silence”

Calvin Arsenia © Andrea Larson
Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: Calvin Arsenia’s Aching & Vulnerable “Headlights”

ELOÏSE © Charlotte Caleb
Music, PremieresAugust 28, 2018<August 28, 2018

Premiere: Indulge in ELOÏSE’s Dark & Seductive Fantasy, “Drop Dead Gorgeous”

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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
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  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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