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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Daise © 2018
Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: The Ambient Ache of Daise’s “Sights of Blue”

LANSKI © Jake Courtois
Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: The Intimate Weight of LANSKI’s Sweet & Somber “Vows”

Timothy Heller © Nas Nixx
Debut, Features, Interviews, Music, ReviewsAugust 24, 2018<September 13, 2018

Interview: Timothy Heller Dives into Her Impassioned New Anthem “See Ya!”

Avery Mandeville "Get Real" music video still
Debut, Music, Music Videos, PremieresAugust 24, 2018<August 24, 2018

Premiere: The Raw Savagery of Avery Mandeville’s Assertive & Empowering “Get Real!”

Jeff Basta © 2018
Debut, Music, PremieresAugust 24, 2018<August 24, 2018

Premiere: An Intimate Goodbye in Jeff Basta’s Heavy-Hearted “Find Her Way” ft. TJ Bordeaux

The Northern Empty © Cooper Leith
Debut, Features, Music, Premieres, ReviewsAugust 23, 2018<August 23, 2018

Premiere: Deeper Connections in The Northern Empty’s Intimate “Molecules”

THE HOTTMAN SISTERS © Carley Scott Fields
Music, Music Videos, PremieresAugust 23, 2018<August 23, 2018

Premiere: The Hottman Sisters Ignite in a Passionate, Roaring “Fire”

LOVA © 2018
Music, PremieresAugust 23, 2018<August 29, 2018

Premiere: Embracing LOVA’s Self-Love Anthem “Impress Myself”

Ottawa © Bradley Atom
Music, PremieresAugust 23, 2018<November 26, 2018

Premiere: Soaking in Euphoria with Ottawa’s Energetic “Undercover”

Apropos © 2018
Debut, Music, PremieresAugust 23, 2018<August 23, 2018

Premiere: Love Hurts So Good in Apropos’ “Talk Like That” ft. Isaiah Dreads

Sonny Elliot © Nina Sutton-Welch
Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: Sonny Elliot’s Delicate “Broken Glasses” Glows with Unconditional Love

The Foreword © 2018
Debut, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Foreword Embrace Optimism in Bright Folk-Pop Debut “Made Up Misery”

YEARS - Axel Flovent © 2018
Music, Music Videos, PremieresAugust 22, 2018<August 22, 2018

Premiere: Overcoming Inner Demons with Axel Flóvent’s Breathtaking “Years”

SVIBES © 2018
Debut, Features, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Beautiful Torment of SVIBES’ “The Ra Ra Ra” & “Strange Vibes”

Ever More Nest © Summer Dorr
Debut, Music, Music Videos, PremieresAugust 21, 2018<August 21, 2018

Premiere: Drifting Away in Ever More Nest’s Grounding Debut “Major Tom”

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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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