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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Chappell Roan © Catie Laffoon
Music, PremieresFebruary 1, 2018<February 1, 2018

Premiere: Chappell Roan’s Haunting “Bitter” Dwells in Darkness

Handsome Ghost © Cortney Armitage
Debut, Features, Music, ReviewsJanuary 31, 2018<February 16, 2018

Welcome Back: Exploring Intimacy & Vulnerability in Handsome Ghost’s Debut

Lets Just Dance - Ships Have Sailed
Music, Music Videos, PremieresJanuary 31, 2018<January 31, 2018

Premiere: Bask in the Moment with Ships Have Sailed’s Euphoric “Let’s Just Dance”

Alfred Hall © Pernille Wangsmo
Music, PremieresJanuary 31, 2018<January 31, 2018

Premiere: Alfred Hall’s “Pearl Diver” & the Never-Ending Search for Happiness

The Visions © 2018
Music, PremieresJanuary 30, 2018<January 30, 2018

Premiere: The Visions Are “Lookin for Ya” with Warm, Bittersweet Nostalgia

Pink Skies © Wild Card Music Group
Debut, Music, PremieresJanuary 30, 2018<January 30, 2018

Premiere: Pink Skies Dives Deep in Dreamy Pop Song “Reflections”

Panteon © 2018
Music, Music Videos, PremieresJanuary 29, 2018<March 27, 2018

Video Premiere: Surreal, Real Connection in Panteon’s “January Keeper”

Welcome Center © 2017
Debut, Music, PremieresJanuary 29, 2018<May 29, 2018

Premiere: Welcome Center Blur Drugs & Pain in “Altoids”

Low Swans © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: Vibing Out to Low Swans’ Kind & Dangerous “Ostfront”

The Velvoids © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: A Mystic Intimacy in The Velvoids’ “Absolutely Nothing”

War with Shadows - The Naked Sun
Features, Music, PremieresJanuary 26, 2018<January 26, 2018

Album Premiere: The Naked Sun Debut ‘War with Shadows’ with Raw, Heartfelt Rock

EDEN © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 25, 2018<January 26, 2018

Cinematic Nuance & Pop Deconstruction: Exploring ‘vertigo’ with EDEN

Chris Leamy © Will Wu
Music, PremieresJanuary 25, 2018<January 25, 2018

Premiere: Chris Leamy Shines in Soulful Anthem “Great Mistakes”

Too Young for New York - Alexander Fairchild
Music, PremieresJanuary 25, 2018<January 25, 2018

EP Premiere: Finding Purpose in Alexander Fairchild’s ‘Too Young for New York’

Porter Party - Nuke Fun
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

EP Review: Nuke Fun Debut with Electric ‘Porter Party’

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Recent Posts

  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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