• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

HOT LIKE SUSHI © 2018
Music, PremieresFebruary 28, 2018<February 28, 2018

Premiere: HOT LIKE SUSHI Climb Sky-High in Euphoric “Do You Wanna”

Pistoleros © Jim Louvau
Music, Music Videos, PremieresFebruary 27, 2018<February 27, 2018

Video Premiere: Pistoleros Temper Raw Energy in “Did You Wake Up All Alone”

Wyvern Lingo - Wyvern Lingo album art
Debut, Music, Our Take, ReviewsFebruary 26, 2018<February 26, 2018

Our Take: Wyvern Lingo Rise with Heat, Richness and Depth on Self-Titled Debut

Pretty City © 2018
Music, Music Videos, PremieresFebruary 26, 2018<February 26, 2018

Video Premiere: Pretty City Soar with New Love in “Flying”

Gizmo Varillas © Carsten Windhorst
Music, Music Videos, PremieresFebruary 26, 2018<February 26, 2018

Video Premiere: Loss & Light in Gizmo Varillas’ Poignant “Losing You”

Drama - NoMBe cover
Music, Reviews, This Just InFebruary 23, 2018<March 30, 2018

This Just In: Relax with NoMBe’s Vibing and Carefree “Drama”

Ladysse - Eleven video still
Music, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Ladysse’s Dreamy “Eleven” Embraces the Monster Under the Bed

Eddie Berman © 2018
Music, Music Videos, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Eddie Berman Packs Up His Life in “My Will Be Done”

Hayley Sabella © Sasha Pedro
Music, Premieres, ReviewsFebruary 22, 2018<February 22, 2018

Premiere: Exposing Raw Vulnerability in Hayley Sabella’s “Love Is a Chisel”

High Up © Andy Lachance
Debut, Features, Music, Our Take, Premieres, ReviewsFebruary 22, 2018<March 6, 2018

Album Premiere: High Up Radiate with Energy & Power on Debut ‘You Are Here’

Nightshifts © Jack Fowler
Music, PremieresFebruary 22, 2018<February 22, 2018

Premiere: Wash Away with Nightshifts’ Lovelorn “Next to Me”

COIN © Hunter Airheart
Features, Interviews, MusicFebruary 21, 2018<March 6, 2018

Special, Unique, and Dynamic: A Conversation with COIN

TØMA © Félix De Portu
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: TØMA Embrace the Moment in Bubbly “Book of Yesterday”

Of Good Nature © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Passion & Longing Fill Of Good Nature’s “Take Me Anywhere” with Warmth

Daniel Ellsworth + The Great Lakes © 2018
Music, PremieresFebruary 16, 2018<February 16, 2018

Video Premiere: Daniel Ellsworth + The Great Lakes’ Backtracked “Control”

Posts pagination
1 … 251 252 253 254 255 … 306

Recent Posts

  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services