• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

"Drunk" - Anteros music video still
Features, Music, Music Videos, This Just InMarch 7, 2017<March 15, 2017

This Just In: Under the Influence of Anteros’ Intoxicating “Drunk”

Ghostly Kisses © Sam St Onge
Columns, Music, Today's SongMarch 3, 2017<March 3, 2017

Today’s Song: The Numb Grieving of Ghostly Kisses’ Melancholy “Garden”

Alarke © Kyle Blair
Music, PremieresMarch 3, 2017<March 3, 2017

Exclusive Premiere: Alarke’s “Grace” Celebrates Love’s Warm Embrace

Happy Incident - "Backbiter" still
Music, Music Videos, PremieresMarch 2, 2017<March 2, 2017

Exclusive Premiere: Love Breaks Down in Happy Incident’s Explosive “Backbiter”

Lunch Ladies © Daniel Topete
Debut, Features, Music, PremieresMarch 2, 2017<March 2, 2017

Exclusive Premiere: Lunch Ladies Serve an Angsty Adrenaline Rush in “Lazy”

Pueblo © 2017
Debut, Features, Music, PremieresMarch 2, 2017<March 8, 2017

Exclusive Premiere: A Carousel of Emotions on Pueblo’s Dreamily Reflective “Nausea”

Big Black Car - Strange Americans still
Features, Music, Music Videos, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: The Fate of the Outlaw in Strange Americans’ “Big Black Car”

Spike's Groove - Stelle Amor
Music, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: Stelle Amor is Addicted to Love in “Spike’s Groove”

blood summer. - Lasko & Kestler
Features, Music, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: Lasko & Kestler’s “The View” is Vulnerable and Soulful in the Darkness

Seattle Yacht Club © 2017
Features, Music, PremieresFebruary 28, 2017<February 28, 2017

Exclusive Premiere: Love Hurts and Synths Pulse on Seattle Yacht Club’s “Discogenic”

Sleep - RXC
Columns, Music, Today's SongFebruary 28, 2017<February 27, 2017

Today’s Song: Detachment and Intimacy on RXC’s Dark “Sleep”

Ashley Riley © Travis Lickey
Features, Music, PremieresFebruary 27, 2017<February 27, 2017

Exclusive Premiere: Love Pushes and Pulls on Ashley Riley’s Aching “Can’t Let You Go”

i feel so cold - rei brown
Features, Music, PremieresFebruary 24, 2017<February 27, 2017

Exclusive Premiere: Heartbreak Reigns on Rei Brown’s ‘i feel so cold’ EP

Mike Liegel © 2017
Debut, Features, Music, PremieresFebruary 24, 2017<February 24, 2017

Exclusive Premiere: Mike Liegel is Helplessly in Love on Debut “Stick Around”

Sun Gazing - Sea Fuzz © Greg Reitman
Features, Music, Music Videos, PremieresFebruary 23, 2017<March 2, 2017

Exclusive Premiere: Lose Yourself in the Beachy Surrealism of Sea Fuzz’s “Sun Gazing”

Posts pagination
1 … 274 275 276 277 278 … 297

Recent Posts

  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services