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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

still from Jeremy & The Harlequins' "Into the Night" music video
Features, Interviews, Music, VideoJuly 13, 2016<July 13, 2016

INTERVEW: Jeremy & the Harlequins’ Never-Ending Journey “Into the Night”

Cicada Rhythm perform "Static in My Dream"
Atwood x LiveSyphon, Columns, Features, Music, VideoJuly 12, 2016<July 13, 2016

Atwood Magazine and LiveSyphon Present: Cicada Rhythm’s Breathtaking Chemistry

ANNALIA © Mackenzie Maroney
Debut, Features, Music, PremieresJuly 8, 2016<July 8, 2016

Exclusive Premiere: ANNALIA’s “STRANGERS” (Em)Powers Through Pains of Love

Band of Skulls © Andy Cotterill
Features, Interviews, MusicJuly 8, 2016<July 11, 2016

Ferocious and Tender By Default: An Interview with Band of Skulls

Handsome Ghost "Eyes Wide" promo
Columns, Music, Today's SongJuly 6, 2016<July 7, 2016

Today’s Song: “Eyes Wide,” Handsome Ghost’s Tropical Summer Spark

Soft Corporate © Aleksandar Jason 2016
Columns, Debut, Music, Today's SongJuly 5, 2016<July 5, 2016

Today’s Song: Sail Away on Soft Corporate’s Breathtaking “Boats”

Bad Suns © Elliot Lee Hazel
Music, Our Take, ReviewsJuly 1, 2016<July 20, 2016

Our Take: Bad Suns Reappear with “Disappear Here”

The Big Gone © Kate Adams
Features, Music, PremieresJune 29, 2016<June 29, 2016

Exclusive Premiere: “Retread Backwards,” The Big Gone’s Emphatic Warning to Cheaters

A Silent Film
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicJune 23, 2016<June 22, 2016

A Flag in the Sand: A Silent Film’s Loud Awakening

Haux, aka Woodson Black
Columns, Music, Today's SongJune 22, 2016<June 22, 2016

Today’s Song: “Seaside,” Haux’s Cathartic Moment of Truth

MAALA - "Kind of Love" music video screenshot
Features, Interviews, MusicJune 20, 2016<June 21, 2016

That Lustful Kind of Love: A Conversation with MAALA

Rorie © Stephen Stonestreet
Debut, Features, Music, Music Videos, PremieresJune 17, 2016<June 17, 2016

Exclusive Premiere: Rorie’s “Storyteller” Sees Through Blind Love

Shadow of the City Music Festival 2016
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016

(Y)Our Music Guide to Shadow of the City 2016

Debut, Features, Music, PremieresJune 16, 2016<June 16, 2016

Exclusive Premiere: Agelast Immortalizes Love on “A Different Time”

Screenshot from "Life Itself" by Glass Animals
Columns, Music, Music Videos, Today's SongJune 13, 2016<May 6, 2017

Today’s Song: Glass Animals and the Meaning of “Life Itself”

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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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