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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

ANDRO © Jakub Koziel
Columns, Music, Today's SongNovember 3, 2022<October 30, 2022

Former Jungle Vocalist ANDRO Opens Up in Soul-Stirring “Natural,” a Buoyant & Brooding Embrace of Intimacy

ella jane © Paris Mumpower
Features, Interviews, Music, Track-by-TrackNovember 2, 2022<November 2, 2022

Feature: ella jane’s Coming-of-Age ‘Marginalia’ Is a Youthful, Melancholic, & Cinematic Masterpiece

Frankie Morrow © 2022
Debut, Features, Music, Reviews, Track-by-TrackNovember 2, 2022<November 2, 2022

From the Heart: Scotland’s Frankie Morrow Debut with Enchanting & Cathartic ‘Blue Parrot Backpackers Hostel’ EP

Loviet © Ryan Perry
Artist to Watch, Columns, Music, Today's SongNovember 2, 2022<November 2, 2022

Today’s Song: Loviet’s Searing “Wide Eyes” Is an Emotionally Charged Love Letter with Teeth

American Bollywood - Young the Giant
Features, Interviews, MusicNovember 1, 2022<February 22, 2023

American Bollywood: Young the Giant’s Epic & Intimate Fifth Album Unpacks Identity, Belonging, Home, & the Immigrant Story

Melby © AUK
Features, Interviews, Music, Track-by-TrackNovember 1, 2022<November 1, 2022

Feature: Stockholm’s Melby Dwell in the Past, Present, & Future on Stirring Sophomore LP ‘Looks like a map’

Daisy the Great © Eva Smittle
Features, Interviews, Music, Track-by-TrackNovember 1, 2022<November 1, 2022

“Big Feelings in Little Moments”: Daisy the Great Stun with Harmony & Hope on ‘All You Need Is Time’

Asylums © Alistair Underwood
Artist to Watch, Features, Interviews, Music, Track-by-TrackNovember 1, 2022<March 11, 2023

Trauma, Defiance, & Hope: UK’s Asylums Soar Triumphant on 4th LP, ‘Signs of Life’

Atwood Magazine's Editor's Picks 78
Columns, Editor's Picks, Features, MusicOctober 31, 2022<March 11, 2023

Editor’s Picks 78: Connie Constance, Lyves, ToBy, Holly Humberstone, Hayden Everett, & Runnner!

Sophie Faith © Toby Corton
Columns, Music, Today's SongOctober 31, 2022<October 29, 2022

London’s Sophie Faith Aches in All the Right Ways on Soulful & Smoldering “Heart Is on My Sleeve”

Phoebe & Elliott - Kalina Tyne
Columns, Music, Today's SongOctober 30, 2022<October 29, 2022

Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem

L.S. Dunes "Permanent Rebellion" music video still
Columns, Music, Today's SongOctober 29, 2022<October 29, 2022

Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy

Player - Phoebe Go © Nick McKinlay
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2022<April 2, 2023

“I still shine from time to time”: Phoebe Go Stirs the Soul on Her Beautifully Raw Debut, ‘Player’

Field Guide - Field Guide
Features, Interviews, Music, Track-by-TrackOctober 28, 2022<October 28, 2022

Bet It All on the Music: Field Guide’s “Intimate, Vulnerable, & True” Self-Titled Album Aches with Dreamy Indie Folk Beauty

Happy Hour - Morning Midnight
Debut, Features, Interviews, Music, Track-by-TrackOctober 27, 2022<April 5, 2023

“Different Flavors of Sad”: Morning Midnight’s ‘Happy Hour’ Is the Perfect Soundtrack to Sorrow

Posts pagination
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Recent Posts

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  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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