• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Patrick James © 2022
Features, Interviews, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’

What Kind Of Music Do You Like To Listen To? - Coconut Cream
Features, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’

SYML © Sarah Cass
Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 4, 2023

“Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love

Somebody's Child © Nicholas O'Donnell
Debut, Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 3, 2023

Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut

Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

Atwood Magazine's Editor's Picks 86
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023

Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz!

Evelyn Frances © Heather Skye photography
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023

Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City

Fly Yeti Fly © courtesy of the artist
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023

Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder

The Crystal Casino Band © Cagla Akcadag
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023

Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph

Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 27, 2023

Feature: Humanity’s Existential Crisis Shines on Tuomo & Markus’ ‘Game Changing’ New Album

We're Here, My Dear - Ging
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2023<January 26, 2023

“Ode to a Love That’s Free”: Ging’s (ex-Frank Dukes) Debut Album ‘We’re Here, My Dear’ Is a Breathtakingly Raw Reckoning

Abby Holliday © Luke Holliday
Columns, Music, Today's SongJanuary 26, 2023<May 18, 2023

Today’s Song: “Ohio Laundry Room” Is Abby Holliday’s Beautiful, Raw Reckoning with Grief, Love, & Death

James Crowley © 2023
Music, PremieresJanuary 26, 2023<January 26, 2023

Premiere: James Crowley Lets the Light in on “By You,” a Raw Reckoning Wrapped in Indie Folk Dreams

L.S. Dunes © Mark Beemer
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023

Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes

Illiterate Light © Joey Wharton
Columns, Music, Today's SongJanuary 25, 2023<January 25, 2023

Today’s Song: Illiterate Light’s “Fuck LA” and the Endless Ache of Long Distance Love

Posts pagination
1 … 86 87 88 89 90 … 302

Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services