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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Columns, Debut, Music, Today's SongNovember 16, 2020<November 16, 2020

Today’s Song: Peace Chord Creates Unmatched Majesty with Debut “Crescent of Sun”

Music, Music Videos, PremieresNovember 13, 2020<November 13, 2020

Video Premiere: The Dawdler’s “Sign of Growth” Is an Enrapturing Ode to a Lost Soul

LUCA WILDING © John Ogunmuyiwa
Columns, Music, Today's SongOctober 29, 2020<October 29, 2020

Today’s Song: Luca Wilding’s “Ruby, Don’t Cry” Offers Delicate Musings of Life’s Strangers

Music, Music Videos, PremieresOctober 22, 2020<October 23, 2020

Premiere: Exploring The Sunk Cost Fallacy on Fellow Hollow’s “Dog Fence Weeds”

Music, ReviewsOctober 20, 2020<October 20, 2020

Review: SPAZA’s UPRIZE! is a Soundtrack to Upheaval & Hope

Molly Parden © Jacqueline Justice
Interviews, MusicOctober 14, 2020<October 29, 2020

Human Nature, Lost Love, and Coffee: A Conversation with Molly Parden

Features, Interviews, MusicOctober 12, 2020<March 5, 2021

Turning Adversity Into Greatness: A Conversation with Cory Wong

Columns, Music, Today's SongOctober 5, 2020<October 5, 2020

Today’s Song: Glüme Has Crafted a Dream-Laced Ambrosia with Latest Single “Come Softly To Me”

Columns, Debut, Music, Today's SongSeptember 29, 2020<September 29, 2020

Today’s Song: Gillian Mapp Marks a Sultry Debut with “Orange Bitters”

Features, Interviews, MusicSeptember 25, 2020<September 29, 2021

Historic Moments & Grand Beginnings: A Conversation with Silvana Estrada

Music, Music Videos, PremieresSeptember 23, 2020<September 23, 2020

Premiere: Jamie-Lee Dimes Finds Inner Peace in Saying “Goodbye”

Music, Premieres, ReviewsSeptember 10, 2020<September 10, 2020

Album Premiere: Somber & Thrilling Collide on Le Couleur’s ‘Concorde’

Music, PremieresSeptember 3, 2020<September 3, 2020

Premiere: Chuck is a Band Delivers a Unique Blend of Boisterous Anguish on “Used to Be”

Columns, Music, Today's SongSeptember 2, 2020<September 2, 2020

Today’s Song: A Dive Into the Cyclical Nature of Change on Sam Tudor’s “Change My Shape”

Columns, Music, Today's SongAugust 31, 2020<August 31, 2020

Today’s Song: Elsa Birgitta Bekman Provides Snapshots Into Life’s Journey’s With “On My Way”

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Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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