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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Columns, Debut, Music, Today's SongNovember 16, 2020<November 16, 2020

Today’s Song: Peace Chord Creates Unmatched Majesty with Debut “Crescent of Sun”

Music, Music Videos, PremieresNovember 13, 2020<November 13, 2020

Video Premiere: The Dawdler’s “Sign of Growth” Is an Enrapturing Ode to a Lost Soul

LUCA WILDING © John Ogunmuyiwa
Columns, Music, Today's SongOctober 29, 2020<October 29, 2020

Today’s Song: Luca Wilding’s “Ruby, Don’t Cry” Offers Delicate Musings of Life’s Strangers

Music, Music Videos, PremieresOctober 22, 2020<October 23, 2020

Premiere: Exploring The Sunk Cost Fallacy on Fellow Hollow’s “Dog Fence Weeds”

Music, ReviewsOctober 20, 2020<October 20, 2020

Review: SPAZA’s UPRIZE! is a Soundtrack to Upheaval & Hope

Molly Parden © Jacqueline Justice
Interviews, MusicOctober 14, 2020<October 29, 2020

Human Nature, Lost Love, and Coffee: A Conversation with Molly Parden

Features, Interviews, MusicOctober 12, 2020<March 5, 2021

Turning Adversity Into Greatness: A Conversation with Cory Wong

Columns, Music, Today's SongOctober 5, 2020<October 5, 2020

Today’s Song: Glüme Has Crafted a Dream-Laced Ambrosia with Latest Single “Come Softly To Me”

Columns, Debut, Music, Today's SongSeptember 29, 2020<September 29, 2020

Today’s Song: Gillian Mapp Marks a Sultry Debut with “Orange Bitters”

Features, Interviews, MusicSeptember 25, 2020<September 29, 2021

Historic Moments & Grand Beginnings: A Conversation with Silvana Estrada

Music, Music Videos, PremieresSeptember 23, 2020<September 23, 2020

Premiere: Jamie-Lee Dimes Finds Inner Peace in Saying “Goodbye”

Music, Premieres, ReviewsSeptember 10, 2020<September 10, 2020

Album Premiere: Somber & Thrilling Collide on Le Couleur’s ‘Concorde’

Music, PremieresSeptember 3, 2020<September 3, 2020

Premiere: Chuck is a Band Delivers a Unique Blend of Boisterous Anguish on “Used to Be”

Columns, Music, Today's SongSeptember 2, 2020<September 2, 2020

Today’s Song: A Dive Into the Cyclical Nature of Change on Sam Tudor’s “Change My Shape”

Columns, Music, Today's SongAugust 31, 2020<August 31, 2020

Today’s Song: Elsa Birgitta Bekman Provides Snapshots Into Life’s Journey’s With “On My Way”

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Recent Posts

  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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