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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Close It Quietly by Frankie Cosmos 8
Music, Our Take, ReviewsSeptember 6, 2019<December 15, 2020

Our Take: Charming & Personal, Frankie Cosmos Captivate on ‘Close It Quietly’

Columns, Music, Today's SongSeptember 6, 2019<November 5, 2019

Today’s Song: Night Beds Enchant on Emotive & Tender New Single “Blue Knuckle”

Frankie Cosmos
Features, Interviews, MusicSeptember 3, 2019<September 3, 2019

Why ‘Close It Quietly’ Is an Album like No Other: A Conversation with Frankie Cosmos

Spooky Mansion
Interviews, Music, ReviewsAugust 29, 2019<August 29, 2019

Acting Like a “Real Jerk”: A Conversation with Spooky Mansion

Meija © Ana Sierota
Interviews, Music, ReviewsAugust 28, 2019<August 28, 2019

Pounding Electronic Rhythms & Honest Lyricism Make Meija’s “Laugh It Off” a 2019 Standout

Columns, Music, Today's SongAugust 21, 2019<August 21, 2019

Today’s Song: Shigeto Provides a New Approach to Jazz Fusion on “MCW”

Music, PremieresAugust 15, 2019<August 15, 2019

Premiere: De La Noche’s “Blue” is a Funk and Synth-Laced Anthem of Heartbreak

Goth Babe Mt. Hood
Music, ReviewsAugust 8, 2019<August 8, 2019

Review: Goth Babe’s ‘Mt. Hood’ EP Delivers on the Very Best of the Indie Scene

Hope Tala
Columns, Music, Today's SongAugust 7, 2019<August 6, 2019

Hope Tala’s “Jealous” Is a Powerhouse Filled with Tropical Soundscapes & Honest Lyricism

Debut, Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Half Wolf’s “Pretty Lonely” Marks an Impassioned & Ethereal Debut into the Music Scene

DEVENDRA Banhart
Music, Reviews, This Just InAugust 2, 2019<August 2, 2019

This Just In: Devendra Banhart Delivers on the Universal Language of Loss with the Achingly Beautiful “Memorial”

Interviews, Music, ReviewsJuly 26, 2019<December 21, 2024

A Beautiful Marriage of Vintage and Modern: A Conversation with Weird Milk

Stone Irr © Anna Powell Teeter
Music, PremieresJuly 25, 2019<July 25, 2019

Premiere: Stone Irr Battles the Discomforts of a Mismatched Relationship on “Fine with Me”

Columns, Music, Today's SongJuly 12, 2019<July 12, 2019

Today’s Song: Dance Away the Night with Surf Curse’s Aptly Titled “Disco”

Elsa Birgitta Bekman
Debut, Music, Music Videos, PremieresJuly 3, 2019<July 2, 2019

Premiere: Elsa Birgitta Bekman’s Debut “Once in My Life (Sverige Vals)” Shines a Magnificent Light

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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