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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Columns, Music, Today's SongNovember 26, 2019<November 26, 2019

Today’s Song: Andy Shauf Shines on Deceptively Sweet “Try Again”

Music, PremieresNovember 25, 2019<November 25, 2019

Premiere: Mint Julep Shines with Style on New Single “Blinded”

Nick Leng
Columns, Music, Reviews, Today's SongNovember 21, 2019<November 21, 2019

Today’s Song: Nick Leng Captivates on Achingly Beautiful “Lonely Shade of Blue”

Weird Milk
Essays, Music, ReviewsNovember 19, 2019<November 19, 2019

Artist to Watch: Weird Milk Distinguish Themselves as One of UK’s Finest with “Time Machine”

Novemberism - Oliver Spalding
Debut, Interviews, Music, PremieresNovember 13, 2019<November 14, 2019

Album Premiere: Oliver Spalding Mesmerizes on Ethereal Debut ‘Novemberism’

Interviews, Music, Music Videos, PremieresNovember 13, 2019<November 14, 2019

Video Premiere: KaiL Baxley Evokes Grit and Beauty on “Beneath the Bones”

Sorcha Richardson by Cáit Fahey
Debut, Interviews, Music, ReviewsNovember 8, 2019<November 8, 2019

Transitions and the Memories They Bring: A Conversation with Sorcha Richardson

Columns, Music, Today's SongNovember 5, 2019<November 5, 2019

Today’s Song: Elephant Heart Hypnotize with Latest Single “The Thunder”

Columns, Music, Today's SongNovember 1, 2019<November 1, 2019

Today’s Song: Vaundy Breaks Down International Barriers on Captivating “Tokyo Flash”

Music, Music Videos, PremieresOctober 17, 2019<October 29, 2019

Video Premiere: ISEEBLUE Creates Celestial Splendor on “WINDOW”

Half Wolf
Columns, Music, Today's SongOctober 2, 2019<October 2, 2019

Today’s Song: Half Wolf Enchants with Empowering New Single “Cigarette Smoke”

Interviews, Music, ReviewsOctober 1, 2019<October 1, 2019

The Contrasting Narratives of Bleakness & Charm: A Conversation with The Golden Dregs

Desmerelda
Essays, Music, ReviewsSeptember 30, 2019<September 30, 2019

Editorial: Music Induced Memories with Desmerelda’s “Tango with the Hypnotist”

The Comet Is Coming
Columns, Music, Reviews, Today's SongSeptember 23, 2019<September 20, 2019

Today’s Song: Ethereal Explorations Continue on The Comet Is Coming’s “Lifeforce Part II”

9.4
Features, Interviews, Music, Our Take, ReviewsSeptember 18, 2019<December 15, 2020

A Mystery & Charm that Only Strengthens with Age: A Conversation with Blood Cultures

Posts pagination
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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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