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Alex Killian

Alex Killian

Hails from the Pacific Northwest but currently living in the San Francisco Bay Area. Serves beer and wine to pay some billz but writes about music to satisfy the soul. Always on the hunt for new music, particularly cutting edge electronic tunes or anything out of the ordinary. Firmly believes cats make the best pets, and not sorry about it ¯\_(ツ)_/¯

Tei Shi © Leeay
Features, Interviews, MusicJune 21, 2023<July 9, 2023

Interview: Tei Shi’s ‘BAD PREMONITION’ Sets Her Free

Shawn Wasabi © Luke Fontana
Debut, Interviews, MusicMay 29, 2020<March 2, 2023

Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’

Shawn Wasabi
Columns, Music, Today's SongNovember 28, 2019<November 22, 2019

Today’s Song: Shawn Wasabi’s Latest Single Is Soundin’ Like a “SNACK”

MUNA © Isaac Schneider
Columns, Music, Today's SongOctober 17, 2019<October 16, 2019

Today’s Song: MUNA Captures Beauty in Loss on “Pink Light”

Kid Froopy © 2017
Columns, Music, Today's SongJuly 26, 2019<July 26, 2019

Kid Froopy Puts His Spin on Lostboycrow’s “Orange Juice (Summer Squeeze Mix)”

Music, This Just InJuly 22, 2019<July 22, 2019

This Just In: Finding Out “Where We’re Going” with Gregory Dillon

Columns, Music, Today's SongJuly 2, 2019<July 2, 2019

Today’s Song: MUNA Talks Self-Love With “Number One Fan”

Manatee Commune © Allen Daniel
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune

Gregory Dillon © Curtis S. Brown
Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Queer Connection in a Digital World with Gregory Dillon’s “Alien Boyfriend”

Music, Previews, ReviewsSeptember 28, 2018<September 28, 2018

Preview: Half the Animal Plan to Make “Magic” on Tour

Atwood Magazine Pride Playlist 2018
Music, PlaylistsJune 15, 2018<June 15, 2018

Pride Playlist 2018!

Howlin' - Naomi Wild © 2018
Features, Interviews, MusicJune 5, 2018<June 5, 2018

Howlin’ for Higher Ground: A Conversation with Naomi Wild

Columns, Interviews, MusicMay 21, 2018<May 20, 2018

Hometown Guides: SYDE on Melbourne, Australia

Running Touch © 2018
Features, Interviews, MusicApril 9, 2018<April 10, 2018

Past Projects & Future Dreams: A Conversation with Running Touch

The Co Founder © 2018
Columns, Music, Today's SongFebruary 1, 2018<February 1, 2018

Today’s Song: The Co Founder Captivates on “Full Stop”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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