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Chloe Robinson

Chloe Robinson

Interviews, MusicApril 16, 2020<April 16, 2020

Interview: Raye Zaragoza Breaks Gender Barriers with Single “Fight Like a Girl”

Interviews, MusicApril 13, 2020<April 13, 2020

Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation

Vôx Vé © 2020
Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Otherworldly Pop Artist Vôx Vé on Managing Mental Health & Her Debut EP ‘Dream Theory 1’

Debut, Interviews, MusicMarch 31, 2020<March 31, 2020

Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’

Ella M. © 2020
Interviews, MusicMarch 17, 2020<March 17, 2020

Interview: Ella M. Attempts to Wash Away the Negativity with “Take Yourself Home”

A Brighter Day - Grant Earl Lavalley
Music, PremieresFebruary 27, 2020<February 27, 2020

Album Premiere: Grant Earl LaValley’s ‘A Brighter Day’ Is a Haunting Celebration of Psychedelic Sound

Georgi Kay © Morgan Demeter
Features, Interviews, MusicFebruary 25, 2020<March 2, 2025

Interview: Georgi Kay Stays Optimistic in a Time of “Scary People” with New EP ‘Reimagined’

Karima Francis © Joseph Calhoun
Interviews, MusicFebruary 21, 2020<February 21, 2020

Interview: Karima Francis Brilliantly Conveys Just How Rough It Is on the “Shelf Life”

Features, Interviews, MusicFebruary 3, 2020<February 3, 2020

Interview: American Authors Are Using Their “Microphone” to Tell You Something You Need to Hear

Tall Heights
Features, Interviews, MusicDecember 3, 2019<December 2, 2019

Interview: Keeping It Light with Dream Folk Duo Tall Heights

Micky James © Bamby
Columns, Music, Today's SongNovember 14, 2019<November 14, 2019

Today’s Song: Micky James Unravels the Drama of Unhealthy Relationships in “Crybaby”

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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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