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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Come Over When You're Sober, Pt. 2 - Lil Peep
Music, ReviewsNovember 20, 2018<November 20, 2018

Review: Lil Peep’s ‘Come Over When You’re Sober, Pt. 2’ Is a Comforting Tribute

Laura Jane Grace © 2018
Columns, Music, Today's SongNovember 19, 2018<November 19, 2018

Today’s Song: In-Flight Breakups with Laura Jane Grace in “The Airplane Song”

Songs That Saved My Life - Dan Campbell & Ace Enders
Columns, Music, Today's SongNovember 15, 2018<March 2, 2025

Today’s Song: Dan Campbell and Ace Enders Make “Broom People” a Love Song

Zeal & Ardor © 2018
Interviews, MusicOctober 29, 2018<October 29, 2018

Born to Die Alone: A Conversation with Zeal & Ardor

Origami Crane © 2018
Debut, Music, PremieresSeptember 27, 2018<September 27, 2018

Premiere: Origami Crane Bring Summer Passion to Fall Intimacy on “Like a Flame”

Hellions © 2018
Features, Interviews, MusicSeptember 17, 2018<September 19, 2018

Eclectic Theatricality: A Conversation with Hellions

DOLLS © Gabrielle Hall
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: DOLLS Bring Post-Apocalyptic Nostalgia to “Pink Bones”

Tuck Frump - Victory Kid
Music, Music Videos, PremieresAugust 29, 2018<August 28, 2018

Premiere: Victory Kid Channel Blink-182 on Their Political Anthem “Tuck Frump”

Foxhole © Loren Gifford
Features, Interviews, Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: Foxhole Return to Bring Humanity to Post-Rock on “After the Walk”

Death Cab For Cutie © Eliot Lee Hazel
Columns, Music, Today's SongAugust 10, 2018<August 10, 2018

Death Cab For Cutie Explore Ambiguity Without Nostalgia on “I Dreamt We Spoke Again”

Definitely Band - Curling
Features, Music, PremieresJuly 31, 2018<July 31, 2018

Album Premiere: Curling Stretch Indie Rock Across Decades on ‘Definitely Band’

Octavio © 2018
Debut, Music, PremieresJuly 27, 2018<July 27, 2018

Premiere: Octavio, Inspired by Breakup, Now Has a “Life2Live”

MissYou © 2018
Music, PremieresJuly 26, 2018<July 26, 2018

Premiere: MissYou Chronicle Blame and Shortcomings in “Child 44”

GOLDN © Nikko La Mere
Music, PremieresJuly 19, 2018<July 19, 2018

Premiere: GOLDN Sets a Heartbreaking Scene in “Break It”

Bear Grass © 2018
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Bear Grass Create a Sense of Security & Distrust in “Snake in the Grass”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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