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Joe Beer

Joe Beer

Rob Marr © 2020
Columns, Music, Today's SongDecember 10, 2020<July 31, 2023

Today’s Song: Rob Marr Pays Tribute to his Father on Raw & Beautiful “Death and Comfort”

Columns, Music, Today's SongSeptember 17, 2020<September 17, 2020

Today’s Song: Tyson Kelly Lets Fate Run Its Course in New Single “Am I Ever Gonna See You Again”

Interviews, MusicAugust 5, 2020<August 4, 2020

Interview: Jimkata Discusses Social Media Toxicity and Inspiration for New Single “Wanna Go”

Katie Wood © 2020
Interviews, MusicJuly 20, 2020<July 20, 2020

Interview: British Art Rock Artist Katie Wood Gives It to Us Straight in “Uh Huh Yeah”

Heather Mae and Crys Matthews
Interviews, MusicJune 22, 2020<June 22, 2020

Interview: With “Six Feet Apart,” Crys Matthews & Heather Mae Promote Social Distance Love and a Tour for PRIDE

AIRPORTS © Shotography
Interviews, MusicJune 4, 2020<June 4, 2020

Interview: AIRPORTS Brings Us Chilled-Out Pop in Breezy Single “U FEEL IT 2”

Waiting for Smith © Naomie Laan
Interviews, MusicApril 29, 2020<April 29, 2020

Interview: Waiting for Smith Bears a Reassuring Message in “Long Life”

Empty Pockets Crowded Heart, Vol. 1 - Samuel Jack
Columns, Music, Today's SongApril 11, 2020<April 9, 2020

Today’s Song: Samuel Jack’s New Single “Gonna Be Alright” Shows Us the Light at the End of the Tunnel

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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