• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Joe Beer

Joe Beer

Fab the Duo
Columns, Music, Today's SongJuly 5, 2022<July 4, 2022

Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill”

Roisin O’Hagan © Laura Allard-Fleischl
Columns, Music, Today's SongJune 21, 2022<June 21, 2022

Today’s Song: Roisin O’Hagan Takes You to “Sunset Valley” in Sentimental New Single

Olly Hite © 2022
Columns, Music, Today's SongJune 10, 2022<June 10, 2022

Today’s Song: Olly Hite Bows to the “Lioness” in Empowering New Single

Gretchen Klempa © Chelsea Rose
Columns, Debut, Music, Today's SongJune 8, 2022<June 8, 2022

Gretchen Klempa Doesn’t Want to Say Goodbye in Debut Single “Drunk at Your Funeral”

Debut, Music, Reviews, Track-by-TrackMay 23, 2022<May 23, 2022

A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’

Cashma © 2022
Interviews, MusicMay 3, 2022<May 3, 2022

Interview: Cashma Paints the World Purple with the Final Installment of Her Trilogy

Interviews, MusicMarch 18, 2022<March 18, 2022

Interview: Sea Glass Speaks About New Music, Dream Collaborations, & Being a Dad

Interviews, MusicMarch 7, 2022<March 6, 2022

Interview: Ryan Meeking Speaks About Aussie Life, New Roots in London & New Music

The Moving Stills © Dave Mahon
Debut, Features, Interviews, MusicFebruary 16, 2022<February 16, 2022

Interview: The Moving Stills Open Up in Glistening Debut Album ‘Sunshine Corner’

Allan Rayman
Columns, Music, Today's SongFebruary 7, 2022<February 7, 2022

Today’s Song: Allan Rayman Breaks into New Realms with “Rider”

Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022

An Emotional Awakening : A Track-by-Track Review of Nightshifts’ ‘Stir’

Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

A Deep Dive into Another Dimension: A Track-by-Track Review of Ebony Buckle’s ‘Disco Lasers’

The Velveteins © Evangeline Belzile
Columns, Music, Today's SongDecember 16, 2021<December 16, 2021

Today’s Song: The Velveteins Paint Color and Light in Hopeful New Track “Make It Through”

Johnny Ashby © 2021
Music, Reviews, Track-by-TrackDecember 13, 2021<December 13, 2021

Pure, Genuine, and Authentic: A Track-by-Track Review of Johnny Ashby’s ‘Time of Our Lives’

LAIKIPIA © 2021
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’

Posts pagination
1 2 3 4 5 6

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services