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Lindsay Call

Lindsay Call

Lindsay has crowned herself Writer and Managing Editor Emeritus at Atwood Magazine, which basically means she doesn't write here actively anymore except on special occasions. You can typically find her reading any book, ever, drinking tea, or happily losing herself in an art museum.

Mise en Scene © Jesse DeFlorio
Features, Interviews, MusicJune 30, 2017<July 3, 2017

Alive and On Fire: A Conversation with Mise en Scene

Rosechild © JH
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: Take a Journey with Rosechild out of “West LA”

Black Honey © Charlotte Patmore
Features, Interviews, MusicJune 5, 2017<June 5, 2017

The Joys of Creating and Being “Perfect Weirdos”: An Interview with Black Honey

Mountains Like Wax © Nolan Knight
Music, PremieresJune 2, 2017<June 2, 2017

Premiere: Mountains Like Wax Wrestle with the Gray Areas in “(a) Rest”

Lucy - Nihla
Music, PremieresMay 19, 2017<May 19, 2017

Premiere: Nihla’s “Lucy” Tells a Story of Hard Life & Haunting in Los Angeles

Columns, Music, Today's SongMay 16, 2017<May 16, 2017

Today’s Song: Loud, (Almost) Live & Loving It – Estrons’ “Strobe Lights”

RECREATION. © Cole Erickson
Music, PremieresMay 1, 2017<June 20, 2024

Premiere: Growing Up & Letting Go in RECREATION.’s “Surely a Vapor”

bedbugs © Samantha Prasopthum
Music, PremieresApril 24, 2017<April 24, 2017

Premiere: Joy & Wonder Make bedbugs’ “Not Complaining” a Perfect Testament to Modern Love

Annabel Allum © Rob Blackham
Interviews, MusicApril 18, 2017<April 18, 2017

Creating, Rebelling, & Just ‘Doing Everything’: A Conversation with Annabel Allum

Luxury Death © 2016
Music, ReviewsApril 7, 2017<April 7, 2017

Review: Indulge in the Contrasts of Luxury Death’s ‘Glue’

Concerts, FestivalApril 1, 2017<April 1, 2017

DeMarco & Sufjan To Finally Duke It Out At CoaCHILLa

Screenshot from Rosie Carney's acoustic video for "Awake Me"
Music, Music Videos, PremieresMarch 31, 2017<January 30, 2019

Video Premiere: Understated Mastery in Rosie Carney’s “Awake Me” (Acoustic)

The Dead Sailor Girls © Jay Blakesburg
Music, PremieresMarch 23, 2017<March 23, 2017

Premiere: Get Down (with the Deep Blue Sea) in The Dead Sailor Girls’ “Dance of the Broken Heart”

The Vryll Society © Sophia Duff
Interviews, MusicMarch 15, 2017<March 15, 2017

Finding the Perfect Rhythm: A Conversation with The Vryll Society

Nadia Reid © Ebony Lamb
Columns, Music, Today's SongFebruary 23, 2017<February 23, 2017

Today’s Song: The Haunting Power of Nadia Reid’s “Richard”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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