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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

The Ready Set © Shawn Dorman
Features, Interviews, MusicFebruary 23, 2018<February 23, 2018

On Being Genuine and Just Figuring It Out: A Conversation with The Ready Set

The Fontaines © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: “Between Us,” The Fontaines Have Mastered the Art of Loveless Storytelling

Sugar - Juice © 2018
Features, Music, Reviews, This Just InFebruary 16, 2018<February 16, 2018

This Just In: Juice Are Sweeter Than Ever with “Sugar”

Oli Hannaford © 2018
Music, Reviews, This Just InFebruary 2, 2018<February 2, 2018

This Just In: ‘The Crown’ Marks Oli Hannaford’s Magnificent Return

Debut, Features, Interviews, MusicJanuary 29, 2018<January 29, 2018

A Lot of Debauchery: A Conversation with Rad Horror

Clarian Under the Gun
Music, Music Videos, PremieresJanuary 25, 2018<January 25, 2018

Premiere: Clarian Explore the Extraordinary in “Under the Gun”

Tender © 2017 9
Columns, Music, Music You Should Know, Our Take, ReviewsDecember 20, 2017<April 17, 2023

Music You Should Know: TENDER Explore Peace and Discord Through ‘Modern Addiction’

PHANGS © 2017
Music, Reviews, This Just InDecember 15, 2017<December 15, 2017

This Just In: PHANGS Can’t Take His “Eyes Off You”

Features, Interviews, MusicOctober 27, 2017<March 16, 2018

Embracing the Present: A Conversation with Zhao

Good Time - The Jawn
Music, Music Videos, PremieresOctober 16, 2017<October 16, 2017

Video Premiere: The Jawn Are Here for a “Good Time”

Features, Interviews, MusicSeptember 21, 2017<September 25, 2017

All Things Must Pass: A Conversation with Dan Croll

Grizzly Bear © Tom Hines
Music, Our Take, ReviewsAugust 30, 2017<August 30, 2017

It’s Chaos, but It Works: Our Take on Grizzly Bear’s ‘Painted Ruins’

Night Drive © 2017
Interviews, MusicAugust 16, 2017<August 16, 2017

Staying Focused on the Bigger Picture: A Conversation with Night Drive

The Maine © 2017
Features, Interviews, MusicAugust 4, 2017<August 4, 2017

In Charge of Their Own Fate: A Conversation with The Maine

Small Reactions
Interviews, MusicJuly 27, 2017<July 27, 2017

Making Pop Songs from Left Field: A Conversation with Small Reactions

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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