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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Giift © Mikaela Grogan
Columns, Music, Today's SongMarch 15, 2022<March 15, 2022

Today’s Song: Giift’s Tenderly Acoustic Debut Single “Fed Up” Reckons with Vulnerability & Intimacy

Luna Li © John Li Wang
Debut, Features, Music, Reviews, Track-by-TrackMarch 14, 2022<March 14, 2022

Track-by-Track: Toronto’s Luna Li Dives into the Dreamy Depths of ‘Duality’

Young Rising Sons © Jesse DeFlorio
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2022<March 11, 2022

Feature: Young Rising Sons Shine on Long-Awaited Debut Album ‘Still Point in a Turning World’

Atwood Magazine Editor's Picks 57
Columns, Editor's Picks, Features, MusicMarch 10, 2022<September 29, 2022

Editor’s Picks 57: Ego Ella May, Memorial, Stars, Bear’s Den, Linqua Franqa, & John Mark Nelson

Griff Clawson © 2022
Columns, Music, Today's SongMarch 10, 2022<March 10, 2022

Griff Clawson’s Dynamic “Haircut” Is a Song of Heartache & Emotional Split Ends

Phebe Starr © 2022
Debut, Interviews, Music, PremieresMarch 10, 2022<March 11, 2022

“Transcending pain into something beautiful”: Phebe Starr Shines Raw & Radiant on Debut Album ‘Heavy Metal Flower Petal’

Jay Johnson © Diego Martinez
Music, PremieresMarch 10, 2022<March 10, 2022

Premiere: Jay Johnson’s Smooth & Soulful “Enough to Eat” Is a Heartfelt Musical Scrapbook

Jacob Aedam © 2022
Columns, Music, Today's SongMarch 9, 2022<March 9, 2022

Today’s Song: Jacob Aedam & Yung Shōgun Break Out in Psychedelic Spaghetti Western “South Boulevard”

Adria Kain © Kiylana Dickens-Ling
Debut, Features, Music, Reviews, Track-by-TrackMarch 9, 2022<March 15, 2022

“Emotional, Impactful, & Honest”: Toronto’s Adria Kain Shares Her Soulful & Stunning Debut Album ‘When Flowers Bloom’

Jack Carty © Natasha Saba
Music, Premieres, Track-by-TrackMarch 9, 2022<June 13, 2022

“My Whole Heart”: Jack Carty Shines Like the Sun on ‘Wake to a Bright Morning’, His Intimate & Radiant 6th LP

ANIQO © Matthias Pfeiffer
Columns, Music, Today's SongMarch 8, 2022<March 8, 2022

Today’s Song: ANIQO’s Visceral “Vivre Libre” Basks in a Hard-Won Sense of Freedom & Redemption

For You - RVHEEM
Music, PremieresMarch 8, 2022<March 8, 2022

Premiere: Liverpool’s RVHEEM Embraces Vulnerability in Achingly Intimate “For You”

Clea Anais © Heather Saitz
Columns, Music, Today's SongMarch 7, 2022<March 7, 2022

Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying”

Rona Mac © 2022
Features, Music, Reviews, Track-by-TrackMarch 4, 2022<March 9, 2022

“Deep, Raw, & Rural”: Inside Rona Mac’s Intimately Enchanting ‘Shades of Ham’ EP

Noah Reid © Dane Clark
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022

Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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