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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Arctic Lake © Scarlett Casciello
Features, Music, Reviews, Track-by-TrackMarch 24, 2022<May 9, 2022

Longing for Connection: Arctic Lake Dive into Their Stunningly Intimate ‘side by side we lie awake’ EP

Daddy's Little Lawyer - KTJ & CARLY © 2022
Columns, Music, Today's SongMarch 24, 2022<March 24, 2022

Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer”

Euan Blackman © Olivia Mayall
Music, PremieresMarch 24, 2022<March 24, 2022

Premiere: Liverpool’s Euan Blackman Channels Anxiety-Fueled Nights in New Song “I’m Not Scared”

Little Quirks © Adam Toole
Columns, Music, Today's SongMarch 23, 2022<March 23, 2022

Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy

Benji Lewis © Sean Pyke
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: Benji Lewis Dives Inside His Beautifully Intimate & Vulnerable “Head Rush”

RAHH © JC Verona
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: RAHH’s Feverish “Run the Lights” Is an Intoxicating Song of Indulgence & Escape

Little Boots © 2022
Features, Music, Reviews, Track-by-TrackMarch 18, 2022<March 18, 2022

“DIY Disco Pop”: Little Boots Dives Inside Her Groovy & Glistening 4th LP ‘Tomorrow’s Yesterdays’

Ken Yates © Jen Squires
Columns, Music, Today's SongMarch 18, 2022<March 18, 2022

Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One”

Danielle Ponder © Hannah Betts
Columns, Music, Today's SongMarch 17, 2022<March 17, 2022

Today’s Song: Rochester’s Danielle Ponder Channels Resilience & Renewal in Soul-Stirring “So Long”

Michael Baker © Alice Humphreys
Music, PremieresMarch 17, 2022<March 17, 2022

Premiere: Embracing Connection in Michael Baker’s Intimately Ethereal & Softly Cinematic “Until the End”

Rudy Touzet © 2022
Music, PremieresMarch 17, 2022<March 17, 2022

Premiere: Escaping Reality with Rudy Touzet’s Party Anthem “Goodnight Moon”

Atwood Magazine Editor's Picks 58
Columns, Editor's Picks, Features, MusicMarch 16, 2022<September 29, 2022

Editor’s Picks 58: Rachel Chinouriri, Shannen James, merci, mercy, riela, mxmtoon, & Jenny Berkel

Maya Abee © Margaret Leyva
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2022<March 23, 2022

Finding Power in Our Wreckage: Maya Abee Dives into Her “Exhaling, Honest, & Confessional” ‘Divine’ EP

Amber Lewis © David Kaminsky
Columns, Music, Today's SongMarch 16, 2022<March 16, 2022

“They Sold You Away, and They Sold Me Away”: Singer/Songwriter Amber Lewis’ Hauntingly Beautiful Love Letter, “Clotel”

Anna Shoemaker © Josefine Cardoni
Debut, Features, Music, Reviews, Track-by-TrackMarch 15, 2022<March 15, 2022

Feature: Anna Shoemaker Dives Inside Her “Self-Effacing, Self-Destructive, and Diaristic” Debut Album ‘Everything Is Fine (I’m Only on Fire)’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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