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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sophia Bel © Will Arcand
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<September 29, 2022

Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’

Deer Scout © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<May 15, 2022

“Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’

Atwood Magazine Editor's Picks 60
Columns, Editor's Picks, Features, MusicApril 22, 2022<September 29, 2022

Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí

Sandman Sleeps © Parisa Farbakhsh
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

Track-by-Track: Inside Sandman Sleeps’ Stirring, Honest, & Climatic Debut Album, ‘Crisis Actor’

SongBook - The Lazy Eyes
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

“Explosive, Colourful, & Nostalgic”: The Lazy Eyes Deliver a Kaleidoscopic Psych Rock Revue in Debut ‘SongBook’

Deanna Petcoff © Nadia Doss
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 20, 2022

“Passionate, Cathartic, & Loving”: Deanna Petcoff Soars on Stunning Debut ‘To Hell With You, I Love You’

TBH - Bri Steves
Debut, Features, Music, Reviews, Track-by-TrackApril 20, 2022<April 20, 2022

“Raw & Unfiltered”: Philadelphia’s Bri Steves Dives into Her Uninhibited, Undeniable Debut Project, ‘TBH’

Incubator - Primer
Features, Music, Reviews, Track-by-TrackApril 19, 2022<April 19, 2022

“Poignant Abject Pop”: Primer Dives into Her Stunning & Cinematic Synthpop LP, ‘Incubator’

Gregory Ackerman © Nell T Sherman
Features, Interviews, Music, ReviewsApril 19, 2022<April 19, 2022

“Pain, Hope, & Memoriam”: Gregory Ackerman Discusses His Beautifully Aching Sophomore Album ‘Still Waiting Still’

GRAE © Gemma Warren
Artist to Watch, Debut, Features, Interviews, Music, Reviews, Track-by-TrackApril 15, 2022<April 18, 2022

“Happy, Sad, & Nostalgic”: GRAE Dives Inside the ‘Whiplash’ of Her Dazzling, Undeniable Debut

Atwood Magazine Editor's Picks 59
Columns, Editor's Picks, Features, MusicApril 15, 2022<April 26, 2024

Editor’s Picks 59: BEL & girlhouse, Mt. Joy, Ken Yates, McCall, Typhoon, & Nora Mae

Bad Tiger © 2022
Features, Music, Reviews, Track-by-TrackApril 13, 2022<July 27, 2023

Feature: SF’s Bad Tiger Shimmers & Shines on Introspective, Honest, & Unapologetic ‘Sanctuary’ EP

Emét © Charlie Hart
MusicApril 13, 2022<April 13, 2022

Today’s Song: It’s Just One of Those Days on Emét’s “The Chelsea Hotel Is Closed Until Further Notice”

Cloudbelly © Cara Totman
Music, Music Videos, PremieresApril 12, 2022<April 12, 2022

Premiere: Cloudbelly’s Intimate “Leavened” Reckons & Soothes in the Eye of the Inner Storm

VanWyck © Jitske Schols
Features, Music, Premieres, Track-by-TrackApril 7, 2022<April 6, 2022

Album Premiere: VanWyck Dives into Her Rich, Ambitious, & Mysterious ‘The Epic Tale of the Stranded Man’

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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