• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Elephante © Alex Lopes
Music, ReviewsMay 14, 2021<May 11, 2023

Review: Swimming Upstream with Elephante’s Hypnotizing “High Water”

girlhouse © Alex Justice
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP

Tommy Ashby © Fraser Taylor
Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Hopeful, Atmospheric, Escapism”: Inside Tommy Ashby’s Stirring & Serene ‘Lay Low’ EP (ft. Lydia Clowes)

William Fitzsimmons © Erin Brown
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: William Fitzsimmons Dwells in Love’s Throes on “Dancing on the Sun” off New LP ‘Ready the Astronaut”

Charlotte OC © Jamie Noise
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: Charlotte OC Reckons with Loss in Hauntingly Beautiful Song, “Inevitable”

Barenaked Ladies (L-R): Kevin Hearn (keyboards), Ed Robertson (vocals/guitar), Tyler Stewart (drums), Jim Creeggan (bass) © Matt Barnes
Interviews, MusicMay 13, 2021<May 13, 2021

Interview: Barenaked Ladies Look for Common Ground in Arena-Ready Anthem “Flip”

TOBi © Stanislaw
Music, ReviewsMay 13, 2021<May 13, 2021

Review: TOBi & Flo Milli Heat Up in Dynamic, Impassioned “Family Matters” Reboot

Peter Stone © Lakyn Heming
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Singer/Songwriter Peter Stone Reflects on Home, Place, Loss, & Self in “Pacific”

Wanderwild © Emma Rolader Martin
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Athens, GA’s Wanderwild Ignite in Dazzlingly Dynamic “Stranger”

Olivia O. © Avsha Weinberg
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender

Roan Yellowthorn © Patrisha McLean
Breaking the Record, Interviews, Music, Premieres, ReviewsMay 13, 2021<May 13, 2021

Interview: Roan Yellowthorn Breaks the Record with Sophomore LP, ‘Another Life’

New Candys © Jancy Buffington
Music, ReviewsMay 12, 2021<May 12, 2021

Review: New Candys’ “Zyko” Is an Electroshock to the System

M.A.G.S. © 2021
Music, ReviewsMay 12, 2021<May 12, 2021

M.A.G.S. Serves Up a Fresh & Feverish Sonic Cocktail in “Choked Out”

Hayden Calnin © Emma McEvoy 2021
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Hayden Calnin Rediscovers Himself in Wondrous “The Parts I Hid Away” Off New Album ‘What It Means To Be Human’

BSÍ © Baldur Kristjánsson
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Reykjavík’s BSÍ Soothe & Stir in New Single “TAL 11” off Debut Album ‘Sometimes Depressed​.​.​.​But Always Antifascist’

Posts pagination
1 … 127 128 129 130 131 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services