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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Laica © Cooper Leith
Music, ReviewsMay 18, 2021<May 18, 2021

Review: LA’s Laica Soars with Radiantly Seductive Songs “Childish” & “Sanctuary”

B[1] - Maya B
Debut, Features, Music, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

“No. Bull. Sh*t.”: Maya B Goes Track-by-Track Through Her Multidimensional Debut EP, ‘B[1]’

Jake Manzi © Taylor Thompson 9.3
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

Singer/Songwriter Jake Manzi Spellbinds on Classic Debut Album ‘Whatever My Heart Allows’

GoldenOak © Elizabeth Leclair
Music, PremieresMay 18, 2021<May 18, 2021

Premiere: GoldenOak’s “These Old Shoes” Confronts the Climate Crisis with Wondrous Folk

The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

Charity Children © Caroline Mackintosh
Music, ReviewsMay 17, 2021<May 17, 2021

Charity Children’s Beautifully Bittersweet “We Loved” Celebrates Love Come & Gone

"Love Is..." - Saint Joshua
Columns, Music, Today's SongMay 17, 2021<May 17, 2021

Today’s Song: London’s Saint Joshua Captures the Magic of Intimacy in “Love Is…”

Krantz © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: KRANTZ Takes Us to the “Beach” in Summery Single

Pattern Pusher © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: “Come Along” with Pattern Pusher’s Funky, Feel-Good Summer Soundtrack

Elephante © Alex Lopes
Music, ReviewsMay 14, 2021<May 11, 2023

Review: Swimming Upstream with Elephante’s Hypnotizing “High Water”

girlhouse © Alex Justice
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP

Tommy Ashby © Fraser Taylor
Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Hopeful, Atmospheric, Escapism”: Inside Tommy Ashby’s Stirring & Serene ‘Lay Low’ EP (ft. Lydia Clowes)

William Fitzsimmons © Erin Brown
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: William Fitzsimmons Dwells in Love’s Throes on “Dancing on the Sun” off New LP ‘Ready the Astronaut”

Charlotte OC © Jamie Noise
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: Charlotte OC Reckons with Loss in Hauntingly Beautiful Song, “Inevitable”

Barenaked Ladies (L-R): Kevin Hearn (keyboards), Ed Robertson (vocals/guitar), Tyler Stewart (drums), Jim Creeggan (bass) © Matt Barnes
Interviews, MusicMay 13, 2021<May 13, 2021

Interview: Barenaked Ladies Look for Common Ground in Arena-Ready Anthem “Flip”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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