• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hey, King! © Richard Fournier
Features, Music, Reviews, Track-by-TrackApril 2, 2021<April 2, 2021

“Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut

Octopus's Garden
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

In the Shade: The True(ish) Story Behind The Beatles’ “Octopus’s Garden”!

Alex Little & The Suspicious Minds
Music, Premieres, Reviews, Track-by-TrackApril 1, 2021<April 1, 2021

“Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’

Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Led Zeppelin Rises: New Album Out in September & Reunion Tour This Fall

Hey Violet © Diana Mantis
Music, ReviewsMarch 31, 2021<March 31, 2021

Hey Violet Channel Isolation Angst into Buoyant Pop Anthem “Friends Like This”

Joana Serrat © Andrea Font
Music, Music Videos, PremieresMarch 31, 2021<March 31, 2021

Premiere: Tackling Substance & Significance with Joana Serrat’s Smoky “Pictures”

Lucy Park © Alex Harper
Interviews, Music, Reviews, Track-by-TrackMarch 31, 2021<March 31, 2021

“Reflective, Intimate, & Warm”: Lucy Park Dives into Her Intimate Debut EP ‘Before I Speak’

Sunjacket © Micah Sedmak
Music, PremieresMarch 30, 2021<March 30, 2021

Premiere: With “In My Head,” Chicago’s Sunjacket Return with a Seductive Taste of Indie Rock Noir

Ziggy Alberts © Janneke Storm 9
Features, Interviews, Music, Reviews, Track-by-TrackMarch 30, 2021<March 30, 2021

“Calm, Inclusive, & Warm”: Ziggy Alberts Shines on Fifth Album ‘searching for freedom’

Soda Blonde © Ste Murray
Artist to Watch, Music, Reviews, This Just InMarch 30, 2021<March 30, 2021

This Just In: Soda Blonde Make a Big Statement with Smoldering Single “Small Talk”

Dossier Communications' Shenell Renwick (right) & Nikita Singh (left)
Fashion, Features, Interviews, Women's History MonthMarch 29, 2021<March 2, 2025

Interview: Meet the Founders of Black-Owned Boutique Dossier New York

LEADR © Stella Chyun
Music, PremieresMarch 29, 2021<May 27, 2021

Dedicated to AAPI Victims of Hate Crimes, LEADR’s “Hi, I’m Human” Is a Song of Love & Connection

What Did You Expect from The Vaccines?
Debut, Features, Interviews, MusicMarch 27, 2021<October 5, 2021

Feature: The Vaccines Celebrate a Decade of Debut Album ‘What Did You Expect from The Vaccines?’

John Smith © Elly Lucas
Features, Music, Reviews, Track-by-TrackMarch 26, 2021<March 26, 2021

“Twelve Nice Songs”: John Smith Embraces Connection, Hope, & Community in His 6th Album ‘The Fray’

Inland Isle © Lindley Rust
Music, PremieresMarch 25, 2021<March 25, 2021

Premiere: Inland Isle’s “Time Has Changed Us” Is a Bright Folk Rock Rush

Posts pagination
1 … 133 134 135 136 137 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services