• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sarah Cicero
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021

“Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’

Billie Essco © 2021
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Buffalo Rapper Billie Essco Is in a League of His Own

Gatlin © Hannah Hall
Artist to Watch, Music, Reviews, This Just InApril 8, 2021<April 8, 2021

This Just In: Gatlin’s “What If I Love You” Is a Bright & Buoyant Upheaval

la loye © Nikki van de Poel
Music, Music Videos, PremieresApril 7, 2021<April 7, 2021

Premiere: The Hague’s la loye Balances Grief, Fragility, Pain & Beauty on Breathtaking “i only hear you in my song”

Valley "Like 1999" promo
Interviews, Music, ReviewsApril 7, 2021<April 7, 2021

Interview: VALLEY Capture ’90s Nostalgia in Uplifting Pop Anthem “Like 1999”

Talia © Josefine Cardoni
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2021<April 6, 2021

“Heart, Body, & Soul”: Brooklyn’s TALIA Dives into Her Intimate & Visceral Debut EP ‘headrush’

Beach Tiger © Honey Trap
Music, PremieresApril 5, 2021<April 5, 2021

Premiere: Beach Tiger Soars in Bright, Wild, & Wondrous “Where Do We Go From Here?”

Atwood Magazine Editor's Picks 49
Columns, Editor's Picks, Features, MusicApril 2, 2021<May 7, 2021

Editor’s Picks 49: Eliza Shaddad, Madi Diaz, Mustafa, E L E Y, VARLEY, & Amythyst Kiah

whiterosemoxie © Greg Gouvia
Music, ReviewsApril 2, 2021<April 2, 2021

‘ALL i’ve HEARD’: whiterosemoxie Shares His Musical Influences, New Songs “stains” & “Ring the Alarm”

Hey, King! © Richard Fournier
Features, Music, Reviews, Track-by-TrackApril 2, 2021<April 2, 2021

“Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut

Octopus's Garden
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

In the Shade: The True(ish) Story Behind The Beatles’ “Octopus’s Garden”!

Alex Little & The Suspicious Minds
Music, Premieres, Reviews, Track-by-TrackApril 1, 2021<April 1, 2021

“Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’

Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Led Zeppelin Rises: New Album Out in September & Reunion Tour This Fall

Hey Violet © Diana Mantis
Music, ReviewsMarch 31, 2021<March 31, 2021

Hey Violet Channel Isolation Angst into Buoyant Pop Anthem “Friends Like This”

Joana Serrat © Andrea Font
Music, Music Videos, PremieresMarch 31, 2021<March 31, 2021

Premiere: Tackling Substance & Significance with Joana Serrat’s Smoky “Pictures”

Posts pagination
1 … 134 135 136 137 138 … 293

Recent Posts

  • “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ January 16, 2026
  • “No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise January 16, 2026
  • “I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet January 16, 2026
  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services