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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Andrea Magee © 2020
Debut, Interviews, Music, PremieresNovember 5, 2020<November 5, 2020

Interview: Andrea Magee Unveils Debut Album ‘Only Love’ Bursting with Sentimental Sincerity

Mishegas © Morgan Kranston, Laith Khalifeh
Debut, Music, PremieresNovember 5, 2020<November 5, 2020

Premiere: Mishegas’ “Untitled” Instrumental Radiates a Soothing Tranquility

Tessa Rae © 2020
Music, Music Videos, PremieresNovember 2, 2020<November 2, 2020

Premiere: Tessa Rae’s “Tangled” Is a Dark, Dramatic, and Catchy Upheaval

Atwood Magazine Editor's Picks 42
Columns, Editor's Picks, Features, MusicOctober 30, 2020<January 14, 2021

Editor’s Picks: The Staves, Antony Jeffares, TOBi, Sarah Proctor, Beau, & Lanterns on the Lake

"It Doesn't Have To Be This Way" – Wallace Tallman © Keegan Snyder
Debut, Features, Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

American Human Nature: Wallace Tallman’s Timely & Timeless EP Captures a Fractured Nation in Need of Healing

Miloe © Emma Quale
Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

Track-by-Track: Miloe’s ‘Greenhouse’ EP Dwells in a Sweet Summer Bliss

Nana Adjoa © Latoya van der Meeren
Debut, Features, Music, Reviews, Track-by-TrackOctober 29, 2020<October 29, 2020

Identity, Reflection, & Depth: Nana Adjoa Dives into Debut Album ‘Big Dreaming Ants’

Erthlings © Cybele Malinowski
Music, PremieresOctober 29, 2020<October 29, 2020

Premiere: Erthlings Return with Catchy & Urgent Dream Pop Upheaval, “Irrational”

Vertigo EP - GRANT
Music, Reviews, Track-by-TrackOctober 28, 2020<November 2, 2020

Questioning, Urging, Hoping: GRANT Rises High in Effervescent ‘Vertigo’ EP

Junaco © Nicole Mason
Music, PremieresOctober 28, 2020<October 28, 2020

Premiere: The Seductive Serenity of Junaco’s Dreamy “In Between (Reprise)”

IV - The Elwins
Features, Music, Reviews, Track-by-TrackOctober 27, 2020<October 27, 2020

Guts, Guitars, & Love: The Elwins Dive Track-by-Track into Visceral Album ‘IV’

Over & Out, Marks - Jordan Mackampa
Columns, Music, This Just In, Today's SongOctober 27, 2020<October 27, 2020

Artist to Watch: Jordan Mackampa’s Soul-Stirring “Marks” & “Over & Out” Shine with Limitless Passion

Well Kept © Jackson Smith
Music, PremieresOctober 27, 2020<November 4, 2021

Premiere: Well Kept’s Tranquil “Settling” Is a Heavy Meditation on Moving On

The Phoenix Foundation © Ebony Lamb Photographer
Features, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels

Sanguine - Sister Luna
Debut, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track-by-Track: Youngstown’s Sister Luna Lay a Seductive Groundwork with Debut EP ‘Sanguine’

Posts pagination
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Recent Posts

  • “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ January 16, 2026
  • “No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise January 16, 2026
  • “I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet January 16, 2026
  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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