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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Bones of J.R. Jones © Christian Harder
Interviews, Music, PremieresMarch 17, 2021<March 17, 2021

“Understated, Honest, & Dark”: The Bones of J.R. Jones Lights a Fire in ‘A Celebration’ EP

Spring Summer © Roman Coppola
Debut, Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Jennifer Furches’ Solo Project Spring Summer Debuts with Dazzling First Single “Bow Your Head”

Maritza Merk
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Smooth, Relatable, & Confident”: Maritza Merk Dives into Her Transformative Debut Album ‘X’

Unsaid - Psychic Shakes
Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP

Internet Raised © 2021
Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Internet Raised’s Intimate “Burning Sheets” Is a Seductive Indie Pop Dalliance

Babygirl © Kate Dockeray
Columns, Music, Today's SongMarch 16, 2021<March 15, 2021

Young Love & Loss: Ontario’s Babygirl Dazzle on Slick, Sweet Single “You Were in My Dream Last Night”

Timothy EP - Tim Chadwick
Features, Music, Reviews, Track-by-TrackMarch 12, 2021<March 12, 2021

“Heartbreaking, Honest, Healing”: Tim Chadwick Goes Track-by-Track Through ‘Timothy’ EP

Núria Graham © Marc Cusco
Artist to Watch, Music, PremieresMarch 12, 2021<March 12, 2021

Artist-to-Watch: Núria Graham Captivates on Cinematic & Dreamy “At Last”

Estère © Bayly & Moore
Features, Interviews, Music, Reviews, Track-by-TrackMarch 11, 2021<March 11, 2021

“Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’

maybe i will see you at the end of the world - Sydney Sprague
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2021<July 13, 2022

“Sentimental, Existential, & Vulnerable”: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’

Grouplove © James Marcus Haney
Features, Interviews, MusicMarch 11, 2021<April 8, 2021

“The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later

WULF
Interviews, Music, PremieresMarch 11, 2021<March 10, 2021

Interview: London Indie Rock Trio WULF Talk “Never Giving Up,” New Music, COVID, & More

Atwood Magazine Editor's Picks 47
Columns, Editor's Picks, Features, MusicMarch 10, 2021<April 8, 2021

Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl

Katy Kirby © Jackie Lee Young
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackMarch 10, 2021<March 10, 2021

“Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’

Ryanhood © Taylor Noel Mercado
Music, PremieresMarch 10, 2021<March 10, 2021

Premiere: Ryanhood’s Breathtaking & Wondrous “Wide Awake in a Dream” Ushers in a New Season

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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