• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Hunting Birds © 2020
Columns, Music, Today's SongAugust 24, 2020<August 24, 2020

Today’s Song: Get in Sync with The Hunting Birds’ Irresistible Anthem “Catch Up”

New Age Norms 2 - Cold War Kids
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Wild, Loose, & Deep: Nathan Willett on Why ‘New Age Norms 2′ Is Cold War Kids’ “Best Record” Ever

Emi Meyer © Ayaka Yamamoto
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Emi Meyer Lets Go to the Groove with “When I Lose Control” ft. Keb’ Mo’

Anna Krantz © 2020
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Anna Krantz’s “We Could Be High” Is a Beacon of Light

Imploding the Mirage - The Killers 9.1
Music, Our Take, ReviewsAugust 20, 2020<December 19, 2020

Our Take: The Killers Hold the Torch High in ‘Imploding the Mirage’

Stonefox © Jeff Anderson Jnr
Interviews, Music, Reviews, Track-by-TrackAugust 20, 2020<August 20, 2020

Track-by-Track: Melbourne’s Stonefox Open Up on Intimate New EP ‘As You Fall In’

St Valentine © Johannes Greve Muskat
Debut, Features, Interviews, MusicAugust 20, 2020<August 20, 2020

Escape & Indulgence: Ulrik Denizou Lund (Lemaitre) on His New Music As “St Valentine”

Bleach Lab © Isy Townsend
Columns, Debut, Music, Reviews, Today's SongAugust 20, 2020<August 20, 2020

Artist to Watch: Bleach Lab’s Third Single “Sleep” is a Hypnotic, Raw & Visceral Dream

Allman Brown © Flore Diamant
Interviews, Music, Reviews, Track-by-TrackAugust 19, 2020<August 19, 2020

Review: Allman Brown’s Intimate ‘Reflections’ EP Dives Deep into the Self

Will Hyde © 2020
Music, PremieresAugust 19, 2020<August 19, 2020

Premiere: Melbourne’s will hyde Soars in Euphoric Post-Breakup Anthem “over u.”

Chinwe © 2020
Music, PremieresAugust 18, 2020<March 15, 2024

Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence

The Hails © Kat DeBarros
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat”

Holly Humberstone © Phoebe Fox
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2020<August 14, 2020

“Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’

Yukon Blonde © 2020
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream

Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 13, 2020<August 13, 2020

Breaking the Record with Roan Yellowthorn, Part 27: Going Indie

Posts pagination
1 … 157 158 159 160 161 … 291

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services