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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Foxymorons © 2020 3
Music, Music Videos, PremieresOctober 8, 2020<November 15, 2020

Premiere: Fort Worth’s The Foxymorons Unveil Their Tender & Intimate “Uma Thurman”

Terrible Sons © Dan Watson
Music, PremieresOctober 8, 2020<October 7, 2020

Premiere: New Zealand’s Terrible Sons Shimmer & Shine on “You Are the Gold”

Eve Owen © Chris Almeida
Debut, Features, Interviews, MusicOctober 7, 2020<October 7, 2020

Curious, Honest, & Youthful: Eve Owen Dives into Her Breathtaking Debut Album ‘Don’t Let the Ink Dry’

Fragments - Bear's Den, Paul Frith
Music, Reviews, Track-by-TrackOctober 7, 2020<October 7, 2020

Track-by-Track: Bear’s Den & Paul Frith Dive into the Depths of ‘Fragments’

DVNA "All My Friends" © 2020
Debut, Music, Reviews, Track-by-TrackOctober 7, 2020<October 7, 2020

Track-by-Track: Gold Coast’s DVNA Compels with Intimate & Alluring Debut EP ‘All My Friends’

Evelyn Cools © Tye Edwards
Music, Music Videos, PremieresOctober 6, 2020<October 8, 2020

Premiere: NYC’s Evelyn Cools Finds Belonging & Home in “Misfit Paradise”

Caiola © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: The Tender, Driving Nuance of Caiola’s Debut ‘Only Real When Shared’

Ferris & Sylvester © Felix Bartlett
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Hungry, Hopeful, & True: Ferris & Sylvester Dive into Their ‘I Should Be on a Train’ EP

Blackout Balter © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: Nashville’s Blackout Balter Seize the Moment on Visceral Debut Album ‘Animal’

ViVii © Alexander Antser
Music, Music Videos, PremieresOctober 5, 2020<October 5, 2020

Stockholm’s ViVii Enchant with Ethereal, Exhilarating “Summer of 99” & “Whistle” Video

Features, Interviews, Music, Track-by-TrackOctober 2, 2020<November 15, 2020

Theatrical, Emotional, & Badass: Kelsy Karter Dives into Debut Album ‘Missing Person’

Personal History by Ailbhe Reddy
Debut, Features, Interviews, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

Feature: Ailbhe Reddy’s ‘Personal History’ Is a Breathtaking Plunge into Vulnerable Depths

COIN band music 2020
Interviews, MusicOctober 2, 2020<October 2, 2020

“Sincere Meets Aggressive”: COIN’s Chase Lawrence on the Band’s Intimate Upheaval, “You Are the Traffic”

The Hunna © Mila Austin
Features, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

The Hunna Horror Story: A Track-by-Track Guide to Third LP ‘I’d Rather Die Than Let You In’

Sweater Curse
Music, Reviews, Track-by-TrackOctober 1, 2020<October 1, 2020

Track-by-Track: Sweater Curse Plunge Into Life’s ‘Push//Pull’ on Heavy Sophomore EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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