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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mon Rovîa © Zayne Isom
Artist to Watch, Interviews, Music, Today's SongDecember 2, 2025<December 2, 2025

“No, They’re Never Gonna Keep Us All Down”: Mon Rovîa Finds His Voice, His Power, & His Bloodline on “Heavy Foot,” a Protest Anthem for a Fractured, Waking World

Chrissy © Yana Yatsuk
Artist to Watch, Interviews, MusicDecember 1, 2025<December 2, 2025

“It’s Just a Little Bit Sore”: Chrissy Blooms with Tender Strength on Her Achingly Intimate & Liberating ‘Slight Turn’ EP

Atwood Magazine's 138th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 26, 2025<November 26, 2025

Editor’s Picks 138: néomí, Dove Ellis, St. Panther, JERUB, Chrissy, & JOSEPH!

Just Penelope © 2025
Artist to Watch, Debut, Interviews, MusicNovember 25, 2025<November 25, 2025

“Sometimes Chaos Has a Certain Swagger”: Bloomington’s Just Penelope Debut with “June, July” and a Sweaty, Searing, Unapologetic Indie Rock Sound

The Paper Kites © Tim Harris
Interviews, Music, Today's SongNovember 25, 2025<November 25, 2025

“I’m Gonna Try Some Good Living”: The Paper Kites Find Soft Hope and Homecoming on “When the Lavender Blooms,” a Warm Exhale of Light, Gratitude, & Grace

Henry Grace © Jess Bibby
Artist to Watch, Interviews, MusicNovember 24, 2025<November 24, 2025

Artist to Watch: Henry Grace Emerges with “Say Something Mean,” a Soul-Stirring Song of Humanity, Heat, & Hard-Won Clarity

Perren © Hailey Jansson
Interviews, Music, Today's SongNovember 22, 2025<November 22, 2025

“It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation

BEL 'Holy Grail' album art © SJ Spreng
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

“Just Keep Going”: BEL on Chasing, Making, & Releasing Her ‘Holy Grail,’ and the Quiet Determination at the Heart of Her Debut LP

The Brook & The Bluff © Luke Rogers
Interviews, Music, Today's SongNovember 21, 2025<November 21, 2025

“We Wanted to Come Out of the Gates Really Hot”: The Brook & The Bluff Ignite a New Era with “Super Bowl Sunday,” a Hard-Hitting, High-Voltage Anthem of Motion & Self-Reckoning

The Sophs © Eric Daniels
Artist to Watch, Interviews, MusicNovember 20, 2025<November 20, 2025

“Never Deny Yourself Anything”: LA’s The Sophs Push Confession, Chaos, & Catharsis to the Brink on “DEATH IN THE FAMILY”

Izzy Outerspace "Closer" © 2025
Music, Music Videos, PremieresNovember 20, 2025<November 20, 2025

“If You’re Still Here, I Offer You the World”: Izzy Outerspace Unleashes a Dramatic, Impassioned, & Turbulent Reckoning on “Closer”

Elliott Skinner © Hashim Musa
Artist to Watch, Interviews, MusicNovember 19, 2025<November 24, 2025

“I Don’t Want Another Fantasy”: Elliott Skinner Channels Light, Lineage, & a Quiet Reckoning on “RECALLING”

Atwood Magazine's 137th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 14, 2025<November 14, 2025

Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner!

Black Country, New Road © Eddie Whelan
Features, Interviews, MusicNovember 14, 2025<November 14, 2025

“Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together

Ber "Good, Real" © Tom Thornton
Interviews, Music, Today's SongNovember 14, 2025<November 14, 2025

“It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song

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Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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