• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bruno Major © Juan Ortiz-Arenas
Features, Interviews, MusicJune 4, 2020<August 23, 2020

Feature: The Timeless Beauty of Bruno Major’s Sophomore Album ‘To Let A Good Thing Die’

Emma Kupa © James Wolf
Music, PremieresJune 3, 2020<June 2, 2020

Premiere: Cambridgeshire’s Emma Kupa Channels Fresh Frustration in Feverish “Nothing At All”

Eliot Bronson © Jenna Shea Mobley
Music, PremieresJune 3, 2020<June 2, 2020

Premiere: Eliot Bronson’s “Empty Spaces” and the Intimate Depths of Isolation

Plasi © Olof Grind
Music, Music Videos, PremieresJune 1, 2020<June 1, 2020

Premiere: Plàsi’s Beautiful “Where I Belong” Tells a Story of Passion & Self-Discovery

With You, Always EP - Edward + Jane
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020

Edward and Jane Bid a Beautiful Farewell in Haunting Third EP ‘With You, Always’

Pickles & Pies - The Memories
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020

Track-by-Track: The Memories’ ‘Pickles & Pies’ Is a Delicious Indulgence

The Slow March of Time Flies By - The Shadowboxers 10
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 29, 2020<May 23, 2023

Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece

Soda Blonde © Ste Murray
Features, Interviews, MusicMay 29, 2020<August 23, 2020

Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown

ghost gnotes - ghost gnotes
Debut, Music, Premieres, Reviews, Track-by-TrackMay 28, 2020<May 27, 2020

Album Premiere: Inside Ghost Gnotes’ Hauntingly Intimate Self-Titled Debut

Dylan E. Crampton © Hannah Cosgrove
Debut, Music, Reviews, Track-by-TrackMay 28, 2020<May 28, 2020

Review: Dylan E. Crampton’s Debut EP Is a Fresh Cup of Creative Genius

BEL © Mackenzie Breeden @macksfilms
Debut, Music, ReviewsMay 27, 2020<May 27, 2020

Review: BEL Emerges with Hope & Strength on Glistening Debut Single “Silver Line”

Skylar Gudasz © Chris Frisina
Music, Premieres, Reviews, Track-by-TrackMay 27, 2020<May 26, 2020

Feature: The Intimate, Everyday Wonder of Skylar Gudasz’s Moving ‘Cinema’

Lemaitre © 2020
Interviews, Music, ReviewsMay 26, 2020<May 26, 2020

Interview: Lemaitre’s Sweeping ‘JGM’ EP Is a Moving Tribute & Celebration of Life

Neon Trees © Jen Rosenstein
Features, Music, Reviews, Track-by-TrackMay 22, 2020<May 22, 2020

Neon Trees Embrace the Crazy with Their Irresistible “New Best Friend”

Josiah Johnson © Bradley Cox
Debut, Features, Interviews, MusicMay 22, 2020<August 23, 2020

His Head, His Heart, and a Fresh Start: An Interview with Josiah Johnson

Posts pagination
1 … 169 170 171 172 173 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services