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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Distant Cousins © Jon Danovic
Music, PremieresMay 5, 2020<February 21, 2024

Premiere: Distant Cousins’ Breathtaking “Here & Now” Is an Ode to Living in the Present

Neev © 2020
Music, Music Videos, PremieresMay 5, 2020<May 5, 2020

Premiere: “This Dream” Is Neev’s Breathtaking, Purpose-Driven Showstopper

Riley Pearce © Tashi Hall
Music, PremieresMay 5, 2020<May 5, 2020

Premiere: Live & Let Go with Riley Pearce’s New Single “Ceramic Real Estate”

Sarah Barrios © 2020
Debut, Interviews, MusicMay 4, 2020<May 5, 2020

Interview: Sarah Barrios’ Debut Single “I Didn’t Mean To” Is a Cool, Catchy, & Confessional Introduction

Gregory Uhlmann © Sam Kaufman
Interviews, Music, PremieresMay 4, 2020<May 4, 2020

Interview: Gregory Uhlmann’s New Single “Spice Girls” Is a Raw, Impassioned Outpouring

Yard Arms © GLK Media
Music, PremieresMay 4, 2020<May 4, 2020

Premiere: Yard Arms’ Feverish “Mantra” Is a Love Letter to the Anxious

Sir Sly 2020
Music, Reviews, This Just InMay 1, 2020<May 26, 2020

This Just In: Sir Sly’s “All Your Love” Is a Deep Breath of Hallelujah

Dreamland - Glass Animals
Music, Reviews, This Just InMay 1, 2020<August 7, 2020

This Just In: Glass Animals’ “Dreamland” Is a Woozy Trip Down Memory Lane

Noah Kahan © Ben Rosser
Interviews, MusicMay 1, 2020<August 23, 2020

Escape & Inspiration: Noah Kahan’s ‘Cape Elizabeth’ EP Is Pure Acoustic Gold

Ley Line © 2020
Interviews, Music, ReviewsApril 30, 2020<April 30, 2020

Interview: Austin’s Ley Line Remind Us to “Slow Down” with a Dreamy, Uplifting Folk Song

Colin Caulfield © Nina Ljeti
Music, Music Videos, PremieresApril 30, 2020<April 29, 2020

Premiere: DIIV’s Colin Caulfield Releases His Ethereal, Heartfelt Song “Second to None”

Orpine
Music, Music Videos, PremieresApril 30, 2020<April 30, 2020

Premiere: UK Duo Orpine’s “Two Rivers” Is a Tender Indie Folk Enchantment

Atwood Magazine's Editor's Picks 34
Columns, Editor's Picks, Features, MusicApril 29, 2020<May 15, 2020

Editor’s Picks: April 29, 2020

Showing Up - City Dress
Debut, Music, Music Videos, PremieresApril 29, 2020<April 29, 2020

Premiere: Brooklyn’s City Dress Debuts with a Hug in Heartfelt & Dazzling Song “Showing Up”

someone anyone
Music, PremieresApril 29, 2020<April 29, 2020

Premiere: Someone Anyone’s New Song “Vices” Aches with Raw Grief, Tenderness, Feverish Fury

Posts pagination
1 … 169 170 171 172 173 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
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