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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

"It Doesn't Have To Be This Way" – Wallace Tallman © Keegan Snyder
Debut, Features, Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

American Human Nature: Wallace Tallman’s Timely & Timeless EP Captures a Fractured Nation in Need of Healing

Miloe © Emma Quale
Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

Track-by-Track: Miloe’s ‘Greenhouse’ EP Dwells in a Sweet Summer Bliss

Nana Adjoa © Latoya van der Meeren
Debut, Features, Music, Reviews, Track-by-TrackOctober 29, 2020<October 29, 2020

Identity, Reflection, & Depth: Nana Adjoa Dives into Debut Album ‘Big Dreaming Ants’

Erthlings © Cybele Malinowski
Music, PremieresOctober 29, 2020<October 29, 2020

Premiere: Erthlings Return with Catchy & Urgent Dream Pop Upheaval, “Irrational”

Vertigo EP - GRANT
Music, Reviews, Track-by-TrackOctober 28, 2020<November 2, 2020

Questioning, Urging, Hoping: GRANT Rises High in Effervescent ‘Vertigo’ EP

Junaco © Nicole Mason
Music, PremieresOctober 28, 2020<October 28, 2020

Premiere: The Seductive Serenity of Junaco’s Dreamy “In Between (Reprise)”

IV - The Elwins
Features, Music, Reviews, Track-by-TrackOctober 27, 2020<October 27, 2020

Guts, Guitars, & Love: The Elwins Dive Track-by-Track into Visceral Album ‘IV’

Over & Out, Marks - Jordan Mackampa
Columns, Music, This Just In, Today's SongOctober 27, 2020<October 27, 2020

Artist to Watch: Jordan Mackampa’s Soul-Stirring “Marks” & “Over & Out” Shine with Limitless Passion

Well Kept © Jackson Smith
Music, PremieresOctober 27, 2020<November 4, 2021

Premiere: Well Kept’s Tranquil “Settling” Is a Heavy Meditation on Moving On

The Phoenix Foundation © Ebony Lamb Photographer
Features, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels

Sanguine - Sister Luna
Debut, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track-by-Track: Youngstown’s Sister Luna Lay a Seductive Groundwork with Debut EP ‘Sanguine’

Jealous Of The Birds © Jasmin Bell
Features, Music, Reviews, Track-by-TrackOctober 23, 2020<November 15, 2020

“You Are Here”: Jealous of the Birds Soars with Fresh Depth, Energy, & Passion in ‘Peninsula’

Angie McMahon © Chelsea Sienna
Interviews, MusicOctober 22, 2020<October 22, 2020

Interview: Angie McMahon Dives into Her “Melancholy, Introverted, & Imperfect” New EP, ‘Piano Salt’

The Shape - Spirit of the Bear
Music, Music Videos, PremieresOctober 22, 2020<October 22, 2020

Artist to Watch: Spirit of the Bear Take Off with Dark Charm & Cinematic Finesse in “The Shape”

(L-R): Maize and Wendy Wang
Music, PremieresOctober 22, 2020<October 22, 2020

The Ethereal Ache of Maize & Wendy Wang’s “Cracks in the Ceiling” (Road Angel Project: Volume 3)

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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