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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

The Hour © 2020
Music, ReviewsApril 7, 2020<April 7, 2020

EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP

Michael Baker 8.9
Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020

Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’

Selling Things - Brian Dunne
Features, Music, PremieresApril 7, 2020<May 15, 2020

Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic

Suzy & The Lifeguard © Casey Curry
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Suzy & The Lifeguard’s “Loolluby” Is an Entrancing, Emotional Escape

A is for Arrows © Maria Jose Govea
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Toronto’s A Is for Arrows Glisten & Glow in Self-Assured Song “Go Slow”

FVLCRVM
Music, PremieresApril 3, 2020<April 3, 2020

Premiere: FVLCRVM’s Intoxicating & Cerebral “Meaning” Is an Electronic Force

Weirdo - NoMBe
Music, Reviews, This Just InApril 3, 2020<April 3, 2020

This Just In: NoMBe’s Beautiful “Weirdo” Is a Heartfelt, Seductive Ballad

Overcoats © Shervin Lainez
Features, Interviews, MusicApril 3, 2020<May 15, 2020

Finding Connection in Isolation: Overcoats’ Hopeful & Empowering Album ‘The Fight’

William Wild © Dillon Matthew
Features, Interviews, Music, Reviews, Track-by-TrackApril 2, 2020<April 6, 2020

Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’

Twilight Driving © Sam Shaw
Music, PremieresApril 2, 2020<April 2, 2020

Premiere: Brighton’s Twilight Driving Return with Cinematic Anthem “Break Your Heart”

Atwood Magazine's Editor's Picks, April 1 2020
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Editor’s Picks: April 1, 2020

Cormac O Caoimh © 2020
Music, PremieresMarch 31, 2020<April 5, 2020

Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands”

The Sweater Set © Plume Photography (Amanda Reynolds)
Music, PremieresMarch 31, 2020<March 31, 2020

Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage”

Posts pagination
1 … 172 173 174 175 176 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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