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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Blackout Balter © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: Nashville’s Blackout Balter Seize the Moment on Visceral Debut Album ‘Animal’

ViVii © Alexander Antser
Music, Music Videos, PremieresOctober 5, 2020<October 5, 2020

Stockholm’s ViVii Enchant with Ethereal, Exhilarating “Summer of 99” & “Whistle” Video

Features, Interviews, Music, Track-by-TrackOctober 2, 2020<November 15, 2020

Theatrical, Emotional, & Badass: Kelsy Karter Dives into Debut Album ‘Missing Person’

Personal History by Ailbhe Reddy
Debut, Features, Interviews, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

Feature: Ailbhe Reddy’s ‘Personal History’ Is a Breathtaking Plunge into Vulnerable Depths

COIN band music 2020
Interviews, MusicOctober 2, 2020<October 2, 2020

“Sincere Meets Aggressive”: COIN’s Chase Lawrence on the Band’s Intimate Upheaval, “You Are the Traffic”

The Hunna © Mila Austin
Features, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

The Hunna Horror Story: A Track-by-Track Guide to Third LP ‘I’d Rather Die Than Let You In’

Sweater Curse
Music, Reviews, Track-by-TrackOctober 1, 2020<October 1, 2020

Track-by-Track: Sweater Curse Plunge Into Life’s ‘Push//Pull’ on Heavy Sophomore EP

Your Grandparents © The Orchard
Music, Music Videos, PremieresOctober 1, 2020<October 1, 2020

Premiere: Your Grandparents’ “Tomorrow” Video Is a Fresh, Groovy & Cinematic Kung Fu Comedy

Zoë Nutt © 2020
Interviews, Music, Music Videos, PremieresOctober 1, 2020<September 30, 2020

Interview: Zoë Nutt Reckons with Anguish & Acceptance on “If That’s What It Takes” Off New Album ‘How Does It Feel’

Temme © Mackenzie Breeden
Debut, Features, Interviews, Music, Track-by-TrackOctober 1, 2020<October 6, 2020

Feature: Temme Scott Dives into the Effortless Raw Polish of Debut ‘Trust You, Trust You’

Warning Bell - Daniel Trakell
Debut, Music, PremieresSeptember 30, 2020<September 30, 2020

Album Premiere: Melbourne Singer/Songwriter Daniel Trakell Stuns in Debut ‘Warning Bell’

Beau © 2020
Features, Interviews, MusicSeptember 30, 2020<October 6, 2020

Interview: NYC’s Beau Return to Set the Night on Fire with Indie Rock Anthem “Dance with Me”

BAO © 2020
Interviews, Music, PremieresSeptember 30, 2020<September 29, 2020

Interview: BAO Reels & Rises in Outsider’s Anthem “Beautiful Things” off Debut Album ‘Perpetual Heartbreak’

Time's Up - Quarry
Music, ReviewsSeptember 30, 2020<September 29, 2020

Review: The Sultry Seduction of Quarry’s Deep Vibe, “Time’s Up”

Miss the Feeling - Hollyy
Debut, Music, Reviews, Track-by-TrackSeptember 29, 2020<February 20, 2025

Track-by-Track: Chicago’s Hollyy Stir Up Classic Soul in Heated Debut EP ‘Miss the Feeling’

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
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  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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