• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Kate Bollinger © Jonathan Roensch - @roensch_
Music, Reviews, Track-by-TrackAugust 27, 2020<August 27, 2020

Track-by-Track: Kate Bollinger’s Intimate Depths Come Alive in ‘A word becomes a sound’ EP

Peter Sandberg © Emma Viola Lilja
Music, Music Videos, PremieresAugust 27, 2020<August 27, 2020

Premiere: Peter Sandberg & Henry Green’s “Pinetrees” Is an Intimate, Cinematic Upheaval

Silver Lake EP - Jolé
Music, Reviews, Track-by-TrackAugust 26, 2020<August 26, 2020

Track-by-Track: Jolé Delves into Tender & (Bitter)Sweet Depths on ‘Silver Lake’ EP

The Brothers Landau © 2020
Music, Premieres, ReviewsAugust 26, 2020<August 25, 2020

EP Premiere: The Brothers Landau Inject Serenity & Light into ‘Haven’t Got a Name’

Michael Baker © 2020
Music, PremieresAugust 26, 2020<August 26, 2020

Premiere: Michael Baker’s Haunting & Hopeful “Caught in the Crossfire”

Marsicans © Sodium Films 9
Debut, Features, Interviews, Music, Our Take, ReviewsAugust 25, 2020<December 15, 2020

Feature: Marsicans on the Explosive Energy & Pure Passion of Debut Album ‘Ursa Major’

Azadeh © 2020
Debut, Music, Music Videos, PremieresAugust 25, 2020<August 24, 2020

Premiere: London’s Azadeh Debuts with Intimate Song of Healing, “The Cure”

How Still The River - Jamie Scott
Features, Music, Reviews, Track-by-TrackAugust 25, 2020<August 24, 2020

Track-by-Track: Jamie Scott Dives into Loss, Longing, & Connection in Stunning Sophomore Album ‘How Still the River’

Mating Ritual © Kevin Doan
Features, Music, Reviews, Track-by-TrackAugust 24, 2020<August 24, 2020

Track-by-Track: Mating Ritual’s ‘The Bungalow’ Is a Seductive, Groovy Embrace of the Party

Kaio Mars © Alex Shahmiri
Debut, Interviews, Music, PremieresAugust 24, 2020<August 24, 2020

Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need”

The Hunting Birds © 2020
Columns, Music, Today's SongAugust 24, 2020<August 24, 2020

Today’s Song: Get in Sync with The Hunting Birds’ Irresistible Anthem “Catch Up”

New Age Norms 2 - Cold War Kids
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Wild, Loose, & Deep: Nathan Willett on Why ‘New Age Norms 2′ Is Cold War Kids’ “Best Record” Ever

Emi Meyer © Ayaka Yamamoto
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Emi Meyer Lets Go to the Groove with “When I Lose Control” ft. Keb’ Mo’

Anna Krantz © 2020
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Anna Krantz’s “We Could Be High” Is a Beacon of Light

Imploding the Mirage - The Killers 9.1
Music, Our Take, ReviewsAugust 20, 2020<December 19, 2020

Our Take: The Killers Hold the Torch High in ‘Imploding the Mirage’

Posts pagination
1 … 174 175 176 177 178 … 309

Recent Posts

  • “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
  • “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
  • “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services