• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Music, PremieresJune 17, 2020<June 16, 2020

Premiere: Philly’s Commonwealth Choir Let Loose on Fervent Sophomore EP ‘No End’

Orion Sun © Sophie Hur
Columns, Music, Today's SongJune 17, 2020<June 11, 2020

Today’s Song: The Tender Intimacy of Orion Sun’s “Ne Me Quitte Pas (Don’t Leave Me)”

Tommy Ashby © Fraser Taylor
Music, PremieresJune 17, 2020<June 17, 2020

Artist to Watch: “Blood Wolf Moon” Is Tommy Ashby’s Breathtakingly Sweet Indie Folk Love Song

Gizmo Varillas © Carsten Windhorst
Music, Reviews, Track-by-TrackJune 16, 2020<June 15, 2020

Track-by-Track: Gizmo Varillas Leads Us ‘Out of the Darkness’ with His Brilliant, Radiant Third Album

Victoria Bigelow © Susan Berry
Debut, Music, PremieresJune 16, 2020<June 12, 2020

Premiere: Victoria Bigelow Turns Grief into Beauty in Stirring, Cinematic Debut ‘To Everyone I’ve Loved Before’ EP

Shamir © 2020
Columns, Music, Today's SongJune 16, 2020<June 14, 2020

Shamir’s Impassioned “On My Own” Embraces Isolation & Independence

Jack Garratt © Jake Wangner
Features, Interviews, MusicJune 16, 2020<August 23, 2020

Love, Death & Dancing: An Interview with Jack Garratt

Pat Keen © Jesse Johnson
Music, PremieresJune 15, 2020<June 15, 2020

Minneapolis Singer/Songwriter Pat Keen Breathes Hypnotic Energy into “Torch”

Bryde © 2020
Music, Our Take, Reviews, Track-by-TrackJune 15, 2020<June 11, 2020

Feature: UK’s Bryde Takes on the World with a Feverish Passion in ‘The Volume of Things’

Mustafa © 2020
Columns, Debut, Music, Today's SongJune 15, 2020<June 9, 2020

Mustafa’s Beautiful “Stay Alive” Is a Powerful Song of Love, Community, & Anti-Gun Violence

Nora Rothman © Nora Rothman
Music, PremieresJune 5, 2020<June 11, 2020

Premiere: Nora Rothman’s “borderline” ft. Blush Wilson Adds Haunting Nuance to a Madonna Classic

Bruno Major © Juan Ortiz-Arenas
Features, Interviews, MusicJune 4, 2020<August 23, 2020

Feature: The Timeless Beauty of Bruno Major’s Sophomore Album ‘To Let A Good Thing Die’

Emma Kupa © James Wolf
Music, PremieresJune 3, 2020<June 2, 2020

Premiere: Cambridgeshire’s Emma Kupa Channels Fresh Frustration in Feverish “Nothing At All”

Eliot Bronson © Jenna Shea Mobley
Music, PremieresJune 3, 2020<June 2, 2020

Premiere: Eliot Bronson’s “Empty Spaces” and the Intimate Depths of Isolation

Plasi © Olof Grind
Music, Music Videos, PremieresJune 1, 2020<June 1, 2020

Premiere: Plàsi’s Beautiful “Where I Belong” Tells a Story of Passion & Self-Discovery

Posts pagination
1 … 177 178 179 180 181 … 304

Recent Posts

  • “I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning June 24, 2026
  • “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ June 24, 2026
  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services