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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Wild State 2019
Debut, Music, PremieresMarch 6, 2019<March 6, 2019

Premiere: The Melancholic Beauty of The Wild State’s Longing “Youth”

Editors Picks 03-04-2019
Columns, Editor's Picks, Features, MusicMarch 5, 2019<March 8, 2019

Editor’s Picks: March 4, 2019

ØZWALD © Erick Frost
Music, PremieresMarch 5, 2019<March 5, 2019

Premiere: ØZWALD’s Catchy “As the Crow Flies” Is an Existential Beacon of Light

Firewoodisland © 2019
Music, PremieresMarch 5, 2019<May 3, 2023

Premiere: Firewoodisland’s Breathtakingly Beautiful Tempest, “Storm”

Cayucas © 2019
Music, Music Videos, PremieresMarch 5, 2019<March 5, 2019

Premiere: Cayucas Charm with Light & Love in “Jessica WJ”

Little Coyote © 2019
Music, PremieresMarch 4, 2019<March 5, 2019

Review: Abuse and Romance in Little Coyote’s Aching “Witness”

Ryan Von Gonten © 2019
Music, Music Videos, PremieresMarch 4, 2019<June 7, 2024

Premiere: The Hazy Bloom of Ryan Von Gonten’s “Corpse Flower”

Deep Water - Cape Francis
Music, Premieres, ReviewsMarch 1, 2019<March 2, 2019

Album Premiere: Cape Francis’ ‘Deep Water’ Is Raw Alternative Bliss

Donovan Woods © Matt Barnes
Features, Interviews, MusicFebruary 28, 2019<March 20, 2019

The Anxious, Liminal Life on the Road: An Interview with Donovan Woods

The Next Great American Novelist © Shervin Lainez
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Next Great American Novelist Return with Infectiously Alternative “Blackberry”

Calan Mai music
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Calan Mai’s Catchy “Friend of a Friend,” a Tender Love Song to an Ex

Vesper Wood © Imani Givertz
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Hauntingly Intimate Empowerment of Vesper Wood’s “The Wall”

Matthew Pinder
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Tender Ache of Matthew Pinder’s “Break My Heart and Let Me Go” ft. Molly Bush

Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

Posts pagination
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Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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