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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Nina Nesbitt © Wolf James // Sun Will Come Up
Features, Interviews, Music, ReviewsMay 15, 2018<June 12, 2018

Interview: Nina Nesbitt Dives into “The Sun Will Come Up, The Seasons Will Change”

Welshly Arms © Peter Larson
Features, Interviews, MusicMay 15, 2018<May 15, 2018

Interview: Welshly Arms Go “Down to the River” with Epic Glory

Family and Friends © Chelsea Kornse
Music, PremieresMay 15, 2018<May 15, 2018

Premiere: Family And Friends Come of Age in Fiery “PRSM”

Emily - Kim Anderson © Arielle Apfel
Music, Music Videos, PremieresMay 14, 2018<May 14, 2018

Premiere: Connection & Identity in Kim Anderson’s Driving Folk Ballad “Emily”

Feels - Rush Week
Debut, Features, Interviews, MusicMay 14, 2018<May 14, 2018

Feeling All the Feels: A Conversation with Rush Week

Seven Eight - Deanna Devore
Music, PremieresMay 14, 2018<May 14, 2018

Premiere: Deanna Devore’s Hypnotic, Heavy-Hearted “Seven Eight”

TENDERFOOT © Ash King
Music, Music Videos, PremieresMay 11, 2018<May 29, 2018

Premiere: Raise a Glass with Tenderfoot’s “She Calls,” an Ode to Good Times

RAPHAELLA © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: The Euphoric Rush of Raphaella’s “Love-Sick”

Nausica © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Nausica Indulge in Hazy Shadows on Dreamy “Black & White”

Grace Ackerman © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Grace Ackerman Struggles to Keep “Faith” with Dark Passion

Aquilo © Graham Walzer
Features, Interviews, MusicMay 10, 2018<May 10, 2018

Interview with Aquilo: An Intimate and Moving Evolution

Dead Eyes - Dusted
Music, Music Videos, PremieresMay 9, 2018<May 9, 2018

Premiere: Conviction & Commital in Dusted’s Cinematic “Dead Eyes” Video

The Rare Occasions © Deanna Archetto
Music, PremieresMay 9, 2018<May 9, 2018

Premiere: The Rare Occasions Keep Calm and Ignite in “Physics”

Lydia - The Magic Lantern
Columns, Music, Today's SongMay 8, 2018<May 8, 2018

Today’s Song: The Magic Lantern’s Hauntingly Human Ballad “Lydia”

Kidswaste © Rachel Golden @goldenrayeofsunshine
Music, PremieresMay 8, 2018<May 8, 2018

Premiere: Embracing Magic Moments in Kidswaste’s “Beautiful Life” ft. Sophie Simmons

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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