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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Welcome Center © 2017
Debut, Music, PremieresJanuary 29, 2018<May 29, 2018

Premiere: Welcome Center Blur Drugs & Pain in “Altoids”

Low Swans © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: Vibing Out to Low Swans’ Kind & Dangerous “Ostfront”

The Velvoids © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: A Mystic Intimacy in The Velvoids’ “Absolutely Nothing”

War with Shadows - The Naked Sun
Features, Music, PremieresJanuary 26, 2018<January 26, 2018

Album Premiere: The Naked Sun Debut ‘War with Shadows’ with Raw, Heartfelt Rock

EDEN © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 25, 2018<January 26, 2018

Cinematic Nuance & Pop Deconstruction: Exploring ‘vertigo’ with EDEN

Chris Leamy © Will Wu
Music, PremieresJanuary 25, 2018<January 25, 2018

Premiere: Chris Leamy Shines in Soulful Anthem “Great Mistakes”

Too Young for New York - Alexander Fairchild
Music, PremieresJanuary 25, 2018<January 25, 2018

EP Premiere: Finding Purpose in Alexander Fairchild’s ‘Too Young for New York’

Porter Party - Nuke Fun
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

EP Review: Nuke Fun Debut with Electric ‘Porter Party’

The Undercover Dream Lovers © 2018
Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: The Undercover Dream Lovers’ Hazy, Radiant “Stop & Listen”

Tenderfoot © Ryan Baker
Debut, Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: Escapism and Indulgence Fuel Tenderfoot’s Raw “Palms”

Born Stranger © 2018
Music, PremieresJanuary 24, 2018<January 25, 2018

Premiere: Born Stranger & Vivienne Chi Embrace the “Pain” of Love

JAIE © 2018
Debut, Features, Music, ReviewsJanuary 23, 2018<February 16, 2018

EP Review: JAIE Lights a Fire with Intimate Electro-RnB Debut ‘December’

White Lies - White Lies - WarmingWarming
Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

City of Union © 2018
Music, PremieresJanuary 22, 2018<January 22, 2018

EP Premiere: ‘Birds of Paradise,’ City of Union’s 4-Sided Emotional Tapestry

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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