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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Tomten © Brady Harvey
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Ill-Fated Love of Tomten’s “Limbo’s Daughter”

King Cardinal © Scott McCormick
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: King Cardinal Embrace the Moment on Warm “Seventeen”

Until We Both Get Bored - Zander Hawley
Debut, Features, Interviews, Music, ReviewsMay 11, 2017<May 11, 2017

Review: Zander Hawley Captures the Pain, Intimacy & Beauty of Heartbreak

The Junction © Justin Broadbent
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Junction Take Control of Life on “Changes”

get over it - tinmouth still
Music, Music Videos, PremieresMay 10, 2017<May 11, 2017

Premiere: The Social Critique of Tinmouth’s Biting “Get Over It”

Doghouse Charlie © 2017
Music, PremieresMay 10, 2017<May 10, 2017

Premiere: Doghouse Charlie’s “Susquehanna,” a Psychedelic Symphony to Nature

SYML © Adrian Ragasa
Features, Music, PremieresMay 10, 2017<May 10, 2017

Premiere: SYML’s Haunting Cover of “Mr Sandman” Gives New Life to an Old Classic

Maps & His Mothball Fleet © Rovi
Music, Music Videos, PremieresMay 9, 2017<May 9, 2017

Video Premiere: Hope and Distance on Maps & His Mothball Fleet’s “A Lot Becomes a Little”

Rival Shapes © 2017
Music, PremieresMay 9, 2017<May 9, 2017

Premiere: Rival Shapes’ “The Longing” Burns with Love & Poignant Nostalgia

Carry Illinois © 2017
Music, PremieresMay 8, 2017<November 29, 2017

Premiere: The Resilient Energy of Carry Illinois’ Somber “Little Shell”

saw tooth wave © 2017
Debut, Music, PremieresMay 8, 2017<May 8, 2017

Premiere: Saw Tooth Wave’s Driving Synth-Rock Debut “My New Bicycle”

James Arthur © 2017
Features, Interviews, Music, ReviewsMay 8, 2017<December 15, 2020

Recovery, Redemption, and Finding Purpose: A Conversation with James Arthur

Cowards Choir - The Singing Tree © 2017
Music, Music Videos, PremieresMay 5, 2017<May 5, 2017

Premiere: The Cowards Choir Evoke a Circle of Life on “The Singing Tree”

Laika - Mothlight
Music, Premieres, ReviewsMay 5, 2017<May 8, 2017

Album Premiere: The Dazzling Warmth of Mothlight’s Dreamy ‘Laika’

I See Rivers © 2017
Debut, Features, Music, Our Take, ReviewsMay 4, 2017<May 12, 2017

Our Take: The Enchanting Siren Song of I SEE RIVERS’ Debut ‘Standing Barefoot’ EP

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Recent Posts

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  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
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  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Nostalgia Tracks
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