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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Document © Alex Stotland
Debut, Features, Music, PremieresNovember 30, 2017<November 30, 2017

Album Premiere: Document Debut ‘The Void Repeats’ with Comforting Discomfort

Buku Love - Rubycon © 2017
Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love”

Live & Circle © 2017
Features, Music, Premieres, ReviewsNovember 29, 2017<November 29, 2017

EP Premiere: Line & Circle’s ‘Vicious Folly’ Balances Raw Energy with Restless Emotion

Cassandra Violet © Polly Barrowman
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Catchy Critique of Cassandra Violet’s “Pretty”

Clara Strauch © 2017
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Hopeful Darkness of Clara Strauch’s “Islands”

Lloyd Llewellyn © 2017
Debut, Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye

Carl Hauck © Dylan Fischer
Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Carl Hauck’s Glowing “Refraction” Sparks a Warm Light

Jordan Mackampa © 2017
Music, Music Videos, PremieresNovember 28, 2017<December 11, 2017

Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up

Caroline Grace © 2017
Debut, Features, Music, PremieresNovember 27, 2017<November 27, 2017

Premiere: Caroline Grace Is Raw & Exposed on Acoustic Pop Anthem “Cheers to the Night”

CAVERNS © 2017
Music, PremieresNovember 24, 2017<November 27, 2017

Premiere: CAVERNS’ “Times Is Hard” Explodes with Raucous Energy

Fly By Midnight © 2017
Features, Interviews, Music, PremieresNovember 24, 2017<November 26, 2017

Feature: Fly by Midnight Dive into the Heat of “Malibu”

wyvern lingo © Ruthless Imagery
Music, PremieresNovember 23, 2017<February 26, 2018

Premiere: The Intimate Warmth of Wyvern Lingo’s Haunting & Wintry “Snow II”

The 1 Class © 2017
Music, PremieresNovember 22, 2017<March 27, 2018

Premiere: The 1 Class “Feel It” for Deeper Connection on Heartfelt New Single

One More Drink - Conrad the Band
Music, Music Videos, PremieresNovember 22, 2017<November 22, 2017

Premiere: The Dark, Drunken, Bluesy Stupor of Conrad the Band’s “One More Smoke”

No Kind of Rider © 2017
Debut, Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Love Flows in No Kind of Rider’s Evocative Debut “Distinct”

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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