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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Good Karma - J French
Features, Interviews, Music, Track-by-TrackJanuary 12, 2023<March 2, 2025

“These are not just songs; these are mantras.”: J French Finds His Light in Uplifting, Hopeful, & Soulful ‘Good Karma’ LP

High Tea © Robin Siddall
Debut, Interviews, Music, Reviews, Track-by-TrackJanuary 12, 2023<January 12, 2023

Track-by-Track: The Simple Untamed Wanderlust of High Tea’s ‘Old Cowboy’

Flipturn © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackJanuary 11, 2023<January 12, 2023

“Shimmery, Gritty, & Reflective”: The Weight & Warmth of flipturn’s Soul-Stirring Debut Album ‘Shadowglow’

Atwood Magazine's Editor's Picks 83
Columns, Editor's Picks, Features, MusicJanuary 9, 2023<March 11, 2023

Editor’s Picks 83: Kids That Fly, Gordi, Brian Dunne, OTNES, Tommy Ashby, & Maya Delilah!

Ester's Anna Holmquist © Ash Dye
Columns, Music, Today's SongJanuary 9, 2023<August 28, 2023

The Lonely, Heavy Weight of Ester’s Lockdown Song, “Red Rover”

LIFE © Luke Hallett
Features, Interviews, Music, Track-by-TrackJanuary 7, 2023<March 11, 2023

Feature: LIFE’s Intimate, Expansive, & Brooding ‘North East Coastal Town’ Is a Post-Punk Love Letter Home

SPIN - OTNES
Artist to Watch, Debut, Interviews, MusicDecember 20, 2022<April 26, 2023

Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN”

Crowder's Milk & Cookies: A Merry Crowder Christmas © Mary Caroline Russell 5a
Features, Interviews, Mistletones, MusicDecember 16, 2022<December 16, 2022

Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’

The Prescriptions © Noah Tidmore
MusicDecember 12, 2022<December 12, 2022

Enjoy Some ‘Time Apart’: The Prescriptions Soar with Heartland Passion & Honest Charm on Intimate, Smoldering Sophomore LP

Atwood Magazine's Editor's Picks 82
Columns, Editor's Picks, Features, MusicDecember 9, 2022<March 11, 2023

Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega!

Peter Stone © Dani Fresh
Columns, Music, Today's SongDecember 8, 2022<December 8, 2022

Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs”

Astronaut - Bailey Tomkinson © Lewis King
Music, PremieresDecember 8, 2022<December 8, 2022

Premiere: Cornwall’s Bailey Tomkinson Aches with Raw, Intimate, & Impassioned Song “Astronaut”

Smut © Jaycee Rockhold
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2022<December 7, 2022

“How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album

Victoria Bigelow © Devan Skaggs
Artist to Watch, Columns, Music, Today's SongDecember 7, 2022<December 7, 2022

“I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning

Wilby © Christina Coleman
Artist to Watch, Music, PremieresDecember 7, 2022<December 7, 2022

Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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