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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Imaad Wasif © Sharon Lockhart, Alex Slade
Features, Interviews, Music, Track-by-TrackAugust 15, 2022<August 15, 2022

“I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’

In My Car - Rat Tally
Debut, Features, Interviews, Music, Track-by-TrackAugust 15, 2022<September 29, 2022

“Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’

Fantastic Cat © Shervin Lainez
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 12, 2022<January 30, 2025

Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’

McCall © Ren Shelborne
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 10, 2022<August 10, 2022

Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’

Heavy Gus © Lauren Jacobson
Debut, Features, Music, Track-by-TrackAugust 5, 2022<March 2, 2025

“Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’

Arlie's Nathaniel Banks © Gabe Drechsler
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022

BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album

Harrison Whitford "Secret Garden" still © Michael Erik Nikolla
Music, Music Videos, PremieresAugust 3, 2022<August 3, 2022

Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden”

Analog Party © Joshua Kern (left to right: Charles Horin, Animaan Pathak)
Music, PremieresAugust 3, 2022<August 3, 2022

Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child

Homes at Night © Zach Pigg
Debut, Music, Music Videos, PremieresAugust 2, 2022<August 2, 2022

Premiere: Nashville Duo Homes at Night’s Raw & Catchy Alt-Rock Reeling, “Tell Emma”

Gemma Laurence © Beatrice Helman
Music, PremieresAugust 2, 2022<August 2, 2022

“I wanted to write a song that captured the joy of coming out”: Gemma Laurence Soars & Stirs on “Lavender”

Josie Dunne © Bree Marie Fish
Debut, Features, Interviews, MusicJuly 14, 2022<July 13, 2022

“TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album

Atwood Magazine's Editor's Picks 71
Columns, Editor's Picks, Features, MusicJuly 13, 2022<September 29, 2022

Editor’s Picks 71: Chad Price, Rat Tally, CMON CMON, November Ultra, Forest Claudette, & James BKS!

From Capelton Hill - Stars
Features, Interviews, MusicJuly 13, 2022<July 13, 2022

“We’re just trying to be a kitchen sink band”: Stars’ Torquil Campbell Discusses Ghosts, Songwriting, & New Album ‘From Capelton Hill’

French for Rabbits © 2022
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’

Goon © Josh Beavers
Features, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’

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