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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Clairo © Nicole Almeida
Concerts, Music, ReviewsNovember 14, 2019<November 14, 2019

Live Review: Clairo is a Force to Reckon With at Philadelphia’s Union Transfer

Cailin Russo © Rebecca Hearn
Columns, Music, Today's SongOctober 29, 2019<October 29, 2019

Today’s Song: Cailin Russo Atones on “Declaration”

Shura © Nicole Almeida
Concerts, Music, ReviewsOctober 28, 2019<October 28, 2019

Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher

Blaenavon - Everything that Makes You Happy
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’

Hanorah © GRL Photographie
Features, Interviews, MusicOctober 25, 2019<October 25, 2019

The Good, The Bad, and Everything in Between: A Conversation with Hanorah

LEYMA © Kiran Gidda
Features, Interviews, MusicOctober 23, 2019<October 23, 2019

Doing It His Own Way: A Conversation with Leyma

Marika Hackman © Nicole Almeida
Concerts, Music, ReviewsOctober 21, 2019<October 21, 2019

Live Review: Marika Hackman Wields Undeniable Power and Confidence at Philly’s Boot & Saddle

Diplomacy © Zack Bass
Debut, Features, MusicOctober 18, 2019<October 18, 2019

Born Out of Friendship, Diaries, and Duality: A Conversation with Diplomacy

Lewis Capaldi 2019 © Nicole Almeida
Concerts, Music, ReviewsOctober 17, 2019<October 17, 2019

Live Review: Philadelphia’s TLA Fully Endorses Lewis Capaldi as America’s Next Sweetheart

Pizzagirl © Neelam Khan Vela
Features, Interviews, MusicOctober 11, 2019<October 11, 2019

Just Sitting in His Room: A Conversation with Pizzagirl

MUNA 2019 © Nicole Almeida
Concerts, Music, ReviewsOctober 9, 2019<October 9, 2019

Live Review: Philadelphia’s The Foundry Watches in Awe as MUNA Save the World

Zanillya © Jozef Wright
Features, Interviews, MusicOctober 8, 2019<October 8, 2019

Unfiltered, Inspired, and Free: A Conversation with Zanillya

Blood Harmony- FINNEAS EP Cover Art
Debut, Music, ReviewsOctober 4, 2019<October 4, 2019

Review: Blood Harmony is FINNEAS’ Immaculate First Step into His Cinematic, Beautiful World

Soccer Mommy © Brian Ziff
Columns, Music, Today's SongSeptember 30, 2019<September 30, 2019

Today’s Song: Soccer Mommy Examines Her Devilish Side on “lucy”

Bastille 2019 © Nicole Almeida
Concerts, Music, ReviewsSeptember 20, 2019<September 20, 2019

Live Review: The Met Philly Bears Witness to Bastille’s Cinematic and Colourful Doom Days

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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