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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Ashe 2019 © Nicole Almeida
Concerts, Music, ReviewsSeptember 19, 2019<September 19, 2019

Live Review: Ashe’s Warm and Inviting Family Affair at Philadelphia’s World Café Live

Colouring © 2019
Music, Reviews, This Just In, Today's SongSeptember 13, 2019<September 13, 2019

Today’s Song: “Oh My God!”, Colouring are Head Over Heels

MUNA © Isaac Schneider
Columns, Music, Today's SongSeptember 12, 2019<September 12, 2019

Today’s Song: MUNA Talk to a Younger Self on “It’s Gonna Be Okay, Baby”

Marika Hackman © Joost Vandebrug
Features, Interviews, MusicSeptember 4, 2019<September 4, 2019

Finding the Point in Human Contact: A Conversation with Marika Hackman

Maya Hawke © Mathias Goldstein
Columns, Music, Today's SongAugust 26, 2019<August 26, 2019

Today’s Song: Maya Hawke Reinvents the Love Song in “To Love A Boy”

The Big Moon © Pooneh Ghana
Columns, Music, Today's SongAugust 23, 2019<August 23, 2019

Today’s Song: Navigating Life’s Highs and Lows in The Big Moon’s “It’s Easy Then”

Shura © Hollie Fernando
Features, Interviews, MusicAugust 16, 2019<August 16, 2019

Feature: Shura’s Love Lives Forever

Social House © Parsa Ara
Features, Interviews, MusicAugust 15, 2019<August 15, 2019

Feature: Everything is Changing for Social House

Mallrat © Tash Bredhauer
Columns, Music, Today's SongAugust 15, 2019<August 15, 2019

Today’s Song: Mallrat’s Perfect Recipe for Love in “Charlie”

Kim Petras 2019 © Nicole Almeida
Concerts, Music, ReviewsJune 26, 2019<June 26, 2019

Live Review: Kim Petras Throws the Perfect Pride Party at Philadelphia’s TLA

Delilah Montagu © 2019
Features, Interviews, MusicJune 21, 2019<June 21, 2019

The Midas Touch: A Conversation with Delilah Montagu

Mark Diamond © Aleigh Michelle
Music, PremieresJune 20, 2019<June 20, 2019

Premiere: Mark Diamond Flirts with Temptation and Finds The One in “Hummingbird”

Amahla © 2019
Music, PremieresJune 20, 2019<March 2, 2025

Premiere: Amahla Pulls Back the Curtain on Acoustic Version of “River”

Ray Silvers © Lillie Miller
Columns, Music, Today's SongJune 14, 2019<July 31, 2019

Today’s Song: Ray Silvers’ Paradisiacal “Drive” is the Perfect Song to Fall in Love To

Ritt Momney © James Kowalski
Columns, Music, Today's SongJune 10, 2019<June 10, 2019

Today’s Song: Ritt Momney’s Witty, Indie Masterpiece “On Love (An Alternative Response to Almitra’s Request)”

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Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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