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Oliver Crook

Oliver Crook

Junior editor Oliver Crook is a Canada-based journalist who has been playing guitar and deciphering lyrics since he first heard Sum 41’s “Fat Lip” blasting through his older brother’s bedroom walls. Although his taste has (somewhat) developed since then, his passion is just as strong as ever. When not writing about music, he can be found drinking too much coffee, complaining about the finickiness of avocados, and being disappointed by all of his favourite sports teams.

Cedric Noel © Isaac Vallentin
Music, ReviewsAugust 25, 2020<August 24, 2020

Review: Cedric Noel Tackles Loss & Acceptance on Stirring Album ‘Nothing Forever, Everything’

Columns, Music, Today's SongAugust 17, 2020<August 17, 2020

Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In”

Debut, Features, Interviews, MusicAugust 3, 2020<August 3, 2020

Feature: The Palpitations Offer the World Its Anthem With Latest EP ‘FEED THE POOR! EAT THE RICH!’

Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’

The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

Music, ReviewsJuly 10, 2020<December 15, 2020

Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’

Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

Columns, Music, Today's SongJune 23, 2020<June 23, 2020

Today’s Song: Fusilier Finds Hope in the Little Things on “Upstream”

Pilkington - Pilkington
Debut, Music, ReviewsJune 18, 2020<June 17, 2020

Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up

Features, Interviews, MusicJune 5, 2020<June 5, 2020

Feature: Aquakultre’s ‘Legacy’ Is a Monument to Change

Columns, Debut, Music, Today's SongApril 30, 2020<April 30, 2020

Today’s Song: STONE Write an Anthem for All Those Nights You Don’t Remember on “Leave It Out”

Alice Bag © Denée Segall
Features, Interviews, MusicApril 22, 2020<April 22, 2020

Alice Bag Brings Back Old School Punk in Sound & Message on Inspiring ‘Sister Dynamite’

The Sheratons © Tom Berridge
Columns, Music, Today's SongApril 18, 2020<April 18, 2020

Today’s Song: The Sheratons Roast Rave Culture on Brit-Pop Rocker “Raving and Drooling”

Brian Fallon © Kelsey Hunter Ayres
Features, Interviews, MusicApril 17, 2020<May 15, 2020

Feature: Brian Fallon Becomes the Folk Star He Always Wanted to Be on Stripped-Down ‘Local Honey’

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Recent Posts

  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
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  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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