October 13, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: October 13, 2017 by Atwood Magazine Staff
October 12, 2017<October 12, 2017 Today’s Song: The Uncanny One-Two Punch of Humor and Hip Hop, Introducing Rich Chigga by Danny Dyer
October 10, 2017<October 10, 2017 Today’s Song: Eighty Ninety Remember “Your Favorite Song” by Alex Killian
October 9, 2017<October 9, 2017 Music You Should Know: Two Years Later, ‘Pain / Ache / Loving’ is Still HUNNY’s Best by Sydney Sweeney
September 27, 2017<September 27, 2017 Today’s Song: NAO’s “Nostalgia” is a Long-Awaited Comeback by Sydney Sweeney
September 25, 2017<September 25, 2017 Today’s Song: Challenging Concepts of Love, Ambiguity and Gender Performance On Duckwrth’s “Boy” by Brandon Payano
September 21, 2017<May 16, 2023 Viewfinder: Revolution and Witches – Imagining Alternate Worlds through Stop Motion Animation by Carmen Chan
September 20, 2017<September 20, 2017 Music You Should Know: Easing Out of Summer with Twin Peaks by Olivia Perry
September 19, 2017<September 19, 2017 Music You Should Know: On Music & Mental Health in flatsound’s Latest Album by Urooj Ali Rizvi
September 19, 2017<September 19, 2017 Today’s Song: Daz Rinko Talks About That “Black Boy Joy” by Baylee Less
September 18, 2017<October 5, 2017 This Just In: The Confessional Brilliance of QTY’s “Michael” by Nicole Almeida
September 15, 2017<October 13, 2017 Viewfinder: “Agnes” & “No Surprises” Symbolize Emotional Pain Through Physical Agony by Carmen Chan
September 14, 2017<September 14, 2017 Today’s Song: Moses Sumney’s Insular and Intimate “Indulge Me” by Mariel Fechik
For the Love of Music
For the Love of Music
